Quote:
Originally Posted by venjacques
Then give it a melody. From there, figure out what harmonies support the melody which supports the meter which supports the words. What you'll then have is a piece of music that, from the ground up, is totally supporting the words and your message.
Another approach to this is to get a simple chord progression, and then improvise melodies on top of it. But this puts a large strain on your chordal progression.
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Although many people do compose music in separate parts I wouldn't support it as a method of composition, but more of a crutch to aid those that can't compose a piece as an organic whole from the bottom up. If you're going to harmonize a melody or embellish a chord progression with a melody as an exercise it would better to compose a short phrase than an entire song, ironing out a melody that has been built with no harmonic considerations to try get it to fit over one will just be a complete waste of time, it would be more productive to find out where and why you ****ed up and move on.
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