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Would it be okay to solo over the chord changes in the same key as the key signature? For example, say the chord progession is in the key of A, but it goes through many different chords like C chords and F chords. Would it be okay to just solo in the key of A the entire time?
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key of A should have C#m and F#m chords, not C and F, unless it's song without a tonal centre
soloing in a A scale is fine, if you're playing rock or blues if you want to play jazz, it's better to find the relative scale |
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If you take this progession http://i44.tinypic.com/35kikw3.jpg and elaborate it with secondary dominants http://i43.tinypic.com/msn6hg.jpg it changes nothing in the function of the initial triads. |
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A passing chord is a non diatonic chord that connects, or passes between, the notes of two diatonic chords. In the case of your sub dominants, they won't affect the overall tonality of the diatonic progression because they function as little cadences.
If you applied longer durations to each chord you'd find that those 'passing chords' begin to take on more weight and are no longer a part of the original tonal center. |
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