|
Register | Blogging | Today's Posts | Search |
![]() |
|
Thread Tools | Display Modes |
![]() |
#4 (permalink) |
The Music Guru.
Join Date: Jun 2009
Location: Beyond the Wall
Posts: 4,858
|
![]()
The use of modes (all except Ionian and Aeolian of course), and tritones. Each mode creates a totally different atmosphere than the standard major/minor sound. And tritones just add another element to a piece when used properly!
|
![]() |
![]() |
![]() |
#5 (permalink) | |
Music Addict
Join Date: Aug 2010
Location: Jersey
Posts: 89
|
![]() Quote:
I like ****ing around with extended harmonies because it's interesting to see what patterns I can get from it. Like moving from closed voicings to open voicings in 7th, 9th, 11th, 13th chords. Also intrigued with having multiple keys at once. I play piano and I've found some compositions that have treble and bass in different keys and it adds that extra layer of complexity to it. I also love fugues.
__________________
http://www.last.fm/user/seguxdrebkoi |
|
![]() |
![]() |
![]() |
|