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Old 04-09-2010, 05:42 AM   #101 (permalink)
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Hey guys, what's your preference for bridges/saddles? I chose a 3 un-compensated brass saddle setup with the original stainless steel ashtray plate. I don't really play too high up the neck so intonation for those mad retarded solos isn't really needed.

I know GB is going to come in and beat the **** out of the 3 saddle setup and maybe the telecaster in general. Truth is though, no stringed and fretted instrument can be perfectly intonated and that probably haunts him in his dreams.
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Old 04-09-2010, 03:15 PM   #102 (permalink)
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Quote:
Originally Posted by loose_lips_sink_ships View Post
Hey guys, what's your preference for bridges/saddles? I chose a 3 un-compensated brass saddle setup with the original stainless steel ashtray plate. I don't really play too high up the neck so intonation for those mad retarded solos isn't really needed.

I know GB is going to come in and beat the **** out of the 3 saddle setup and maybe the telecaster in general. Truth is though, no stringed and fretted instrument can be perfectly intonated and that probably haunts him in his dreams.


I know that, sure as hell, but the telecaster 3 saddle setup is absolutely awful...

Guitars have done just fine with 6 way intonation for a long time now, but 3 saddle tele setups that aren't compensated are the devil. THE DEVIL I SAY!

Then again, I play a lot of mad retarded solos, so yeah.
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Old 04-13-2010, 05:37 AM   #103 (permalink)
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Fender

Customised Fender JagStang
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Old 04-14-2010, 11:50 AM   #104 (permalink)
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that's a tricky question because there's is so much variation in the same brand.

My brother has some kind of epiphone hollowbody which has amazing tone.

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Old 05-01-2010, 12:31 PM   #105 (permalink)
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I have a Gibson and a Ibanez guitar myself so im quite partial to them myself
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Old 05-01-2010, 03:58 PM   #106 (permalink)
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Quote:
Originally Posted by loose_lips_sink_ships View Post
Hey guys, what's your preference for bridges/saddles? I chose a 3 un-compensated brass saddle setup with the original stainless steel ashtray plate. I don't really play too high up the neck so intonation for those mad retarded solos isn't really needed.

I know GB is going to come in and beat the **** out of the 3 saddle setup and maybe the telecaster in general. Truth is though, no stringed and fretted instrument can be perfectly intonated and that probably haunts him in his dreams.
I like the Tune-O-Matic Stoptail/through-the-body myself. Keep it simple.
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Old 05-01-2010, 04:12 PM   #107 (permalink)
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I like the Tune-O-Matic Stoptail/through-the-body myself. Keep it simple.
I always find that bridge way too high off the body for comfortable picking.
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Old 05-01-2010, 04:16 PM   #108 (permalink)
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I always find that bridge way too high off the body for comfortable picking.
I spent so many years playing a Les Paul, and altogether hating it, but the bridge was the one thing that I became conditioned to love. I definitely agree with you, it's just something I've grown comfortable with.
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Old 05-01-2010, 04:20 PM   #109 (permalink)
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I love my Gibson!
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Old 05-02-2010, 03:41 AM   #110 (permalink)
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Quote:
Originally Posted by loose_lips_sink_ships View Post
Hey guys, what's your preference for bridges/saddles? I chose a 3 un-compensated brass saddle setup with the original stainless steel ashtray plate. I don't really play too high up the neck so intonation for those mad retarded solos isn't really needed.

I know GB is going to come in and beat the **** out of the 3 saddle setup and maybe the telecaster in general. Truth is though, no stringed and fretted instrument can be perfectly intonated and that probably haunts him in his dreams.
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Originally Posted by GuitarBizarre View Post


I know that, sure as hell, but the telecaster 3 saddle setup is absolutely awful...

Guitars have done just fine with 6 way intonation for a long time now, but 3 saddle tele setups that aren't compensated are the devil. THE DEVIL I SAY!

Then again, I play a lot of mad retarded solos, so yeah.
lol that's what I use as well. A 3 saddle vintage style tele. I LOVE it, sure it doesn't have the intonation of a 6 saddle/tunomatic bridge but It definitely helps create a different sound even when playing acoustically.

One question to you tho Lips, how does the ashtray cover affect palm muting? Is there still enough space to do so properly?
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