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#2 (permalink) |
Al Dente
Join Date: Mar 2005
Location: Texas
Posts: 4,847
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The same way you would with specialized mics.
Optimally for a drum kit you would have a mic for every piece - including cymbals- in the kit. For the average kit that's 8 mics. It is always good to use application specific microphones whenever possible, especially when you have good equipment/software to support it. However I've worked in live situations with national acts that insist on throwing SM-57s on every piece in the drum kit. The result is a less dynamic, but tighter and more uniform sound. A grand piano is considerably easier. Usually 2 mics taped to the inside of the sound box lid, one in the general area of an octave below the area of the middle C string and one two octaves above it usually works quite well. |
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