Perfect Soloing tone
 

Whats your favorite soloing tone?

On what instrument?

guitarrr

In that case, my favourites are Brian May (Queen) and Andy Latimer (Camel).

Brian May- my absolute favorite guitarist of all time, he is the reason why i started playing guitar in the first place. His tone is absolutely amazing

I'm with you guys, Brian May had a great tone (when going for my own tone I use his as a rough guide).
My least favorite is Eric Clapton... thin and boring, blah.

i think david gilmour has an amazing tone, josh homme from queens of the stone age in my opinion has a nice tone as well.

Word I never thought about it much but Brian May does have great tone. I personally like Jack Whites quite a bit.

Just a side note - Brian May just recently finished his PhD thesis in astronomy that he started... before he decided to take a short break to start playing for Queen!

yeah, that was almost a year ago I think (not positive)... another side note, the new "Queen + Paul Rogers" album is finished and will be released in the next month or two.

I personally enjoy most guitar tones I hear now a days (except for the overly processed ones/emulated sounds)... many of the older acts had early recording technology working against them as well. When Weezer first broke out I remember appreciating the heavy-crunchy, neater guitar tones in a time where it was mostly all sloppy and dirty. Now they sound pretty generic, nothing special (imo).

I love Allison Roberton's tone on The Donnas most recent album, Bitchin'...She always seems to get a good sound.

And I think you all know by now that almost everything I say is about The Donnas, so don't be like.. "0MGZZ W0W U TALK AB0UT D3M A L0T L0LZZZZZ"

..

my personal favs are Derek Trucks, Brian May, David Gilmore, and Duane Allman

brian may has gotta be up there
jeff beck on wired
joey santiago
johnny greenwood
andy gil

buckethead!

Mine.:cool:

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Now playing: Ayumi Hamasaki - As if...
via FoxyTunes

Santana in Corssraods 2004 w/ Clapton playing Jingo


And John Frusciante in the solo for the song Look on.





EDIT: You can't not love both of those tones.

@ Trepidation: Bucketheads clean tone in Population Override is in my opinion one of the best sounding gifts to my ears.

now judging by most people's responses, i'd gather that people think the perfect soloing tone is really thick, warm, and rich.

so, out of curiosity, where does that put all the rockabily dudes like chuck?

Bon Iver
Joshua Radin
Jay Clifford
Bob Dylan
Ben Gibbard
Ingrid Michaelson
Jeff Buckly

i cant stand those warm thick tones!!!!
they give me major classic rock cringe
Santana sounds like the consistency of phlegm!
its sooooo boring and frickin safe

safe...? Dude its about what sound is pleasing to your ears.

i go with rezz on this. i also think it really depends on the style ur playing. i mean honestly.....if you played Rockabilly with...lets say.....Brian May's tone....you'd have to be REALLY clever with the phrasing to make it fit. on the opposite spectrum, with Chuck Berry's super thin trebley tone, it would be pretty hard to pull off a lot of classic rock stuff...Pink Floyd for example.

I'm cool with most any tones that work in the structure of a particular song. I personally don't care for thin, trebley, harsh sounding distortion that jumps out of the mix in a not so pleasant way. The solo on Sympathy for the devil is a good example of what I'm talking about, although I can still listen to that song... the solo tone annoys me.

these is a middle ground between the mud and the ice.
of course it is about what sounds good to you but most guitarists seem intent on trying to replicate clapton which seems like such a pointless endeavor.

im just sick of everyone(in general not just here) singing the praises of all these classic rock tones
they bore me to tears and back...

Any songs in particular so i know what tone you mean?

I pretty much mean anything in the era
santana and clapton seem to be the ones they all love the most
so lets go black magic woman
and sunshine of your love
for some obvious examples

I suppose my main problem is with blues rock guitar tones the guitar world seems obsessed with.

personally, i like those tones, but for those things.

if someone comes up to me and plays Roll Over Beethovin using clapton's tone from sunshine of your love, i'm gonna hate it.
at the same time, if you play Sunshine with chuck's tone? that won't sound good either.

so when it comes down to it, perfect soloing tone comes down to context

I love the rich bluesy psychedelic tone, like "Strange Brew" on Disraeli Gears. It actually makes me feel the emotion in the guitar more often than other guitar tones. But I like pretty much any guitar tone anyways.

i get what whatsitoosit was saying about sympathy for the devil
i hadnt listened to it in a while
damn its harsh

i spose my dislike boils down to me being bored of classic rock and how much everyone creams over it...to the extent that they seem to think its an impossible feat to create a better record than one made in the late sixties
so essentially i agree with...whatever fits the song
i just favour more experimentalism.

I think Clapton - Santana are like two bookends for all the possible tones that come in between. One is thin and blah and the other is thick and rich... I bought a PRS thinking I would dig the different (thicker) sound, I played it in the store and thought it sounded cool but when I brought it home and began using it for my own songs I realized it just wasn't right so I returned it.

yeah, for me... part of the fun of being the guitarist is experimenting with different tones for different songs and finding what works in the songs context. Those effect machines that allow you to choose sounds that replicate famous tones from known artist are good for wedding bands and such, but for an independent song writer... what's the point? granted I use a Vox amp and own the Brian May guitar but trust me, my sound isn't anywhere near Brian May (I wish it was though :))

i love some of clapton's tones
i hate others.
honestly i really really hate the tone he uses in Layla (which happens to be the only song Duane Allman plays in that i dont like). But i love the tone in White Room


And, one more thing:
Tone is mostly about the way you pick and use your fingers. Sure, theres a lot u can do with amps and pedals, but I will always sound like me whether i'm playing a Gibson Les Paul or a Fender Strat. All of the pedals, pickups, and whatnot are more fine tuning than anything.


Btw, Double X, that is an AWESOME pic