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01-14-2013, 08:49 AM | #91 (permalink) | |
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01-14-2013, 08:57 AM | #93 (permalink) | |
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01-14-2013, 11:14 AM | #94 (permalink) | |
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That reminds me, I was going to ask you, when you're soloing do you usually stick to the bottom three strings? A lot of guitarists seem to do that. How often do you see someone playing the majority of their solo on the first 5 to 7 frets on the top 3 strings? Not often. |
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01-14-2013, 12:19 PM | #95 (permalink) | |
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Just to clarify, I've never studied theory, nor have I ever had any formal training, so I just play by ear and what I think sounds good to me. Someone with a better understanding of how it all fits together could eleborate quite a bit more on it.
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01-14-2013, 03:26 PM | #96 (permalink) |
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That makes pretty good sense. I've been messing around with it a little more and not many of those low, fat notes really work too well, unless I'm playing the chord tones along with rhythm guitar. I didn't really put any time into it, I was just ****in around. I think it needs more patience and better phrasing. My phrasing is something that I really need to work on
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01-14-2013, 04:49 PM | #99 (permalink) | |
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Try changing strings first.
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01-14-2013, 05:18 PM | #100 (permalink) | |
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lol Actually, it's a good disciplined approach. He DID use his trem, doubledpicked a note that was supposed to one, and planked a string at one point though. He shoulda just let that kid fly... but that would have killed the lesson. I know, I'm nit picking. lol For me, it's all about experimentation, and I've done the One Note thing, as well as the Two Note thing, just out of necessity. Have one guitar next to me, and pluck out a G, and play the one in my lap. For hours.
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