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01-18-2011, 08:04 PM | #14 (permalink) |
Killed Laura Palmer
Join Date: Sep 2010
Location: Ashland, KY
Posts: 1,679
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If you're really so worried about a song being in a particular key and understanding the rules of the key, etc., I don't know if songwriting should necessarily be your focus right now.
If you're intent on writing a song that follows those "guidelines" so strictly, you'd probably be better off just working on the music theory learning aspect instead of mucking it up by adding in the songwriting itself - just my two cents.
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01-19-2011, 07:36 AM | #15 (permalink) | |
myspace.com/stonebirdies
Join Date: Apr 2009
Location: Conor Oberst Was/is Here
Posts: 1,401
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as far as theory goes you can play whatever and still be correct in music that's the beauty of it you can play whatever scale you want major, minor, ionian, hawaiian, ryuoko (i think i spelled this wrong), blues, egyptian, you can even make up your own. you can play whatever notes within Key of C while holding the C chord they can all be complentary (the F might sound weird but if you like it go with it.) same thing with Em (the F and C might sound weird but if you like it go with it.) the things in parenthesis depend more on whether they're in a higher octave than the chord, if it's higher than they're true if it's lower than B ; ____ (if you play these in the key of C with the Em every note will sound fine.) respectively, but it's okay to use those notes in that way it's your sound.1
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01-19-2011, 08:01 AM | #16 (permalink) |
Live by the Sword
Join Date: Jan 2011
Location: Kuala Lumpur, Malaysia
Posts: 9,075
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just hammer it out - there are listeners of all kinds out there
do it acapella, do it without a tonal centre (no anchoring key), do noise even, invent the wheel not spin it, do it atonally, don't follow any scale, eschew melody, wail, scream, shout (and put it up for us to hear) |
01-21-2011, 08:57 PM | #18 (permalink) | |
\/ GOD
Join Date: May 2010
Location: Nowhere...
Posts: 2,179
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Why does nobody get music theory. Music theory is not a way to tell you how to write a melody, it's a way to describe melodies that have already been written.
With the exception of ancient pre-avant garde classical there's not a genre out there that follows them tightly. In fact, that's why they have to completely rewrite the theory book every single time something new comes out. This music is generally boring compared to more daring post 1800s composers(I don't care what anybody says: FACT). It was only really a means so snobby aristocrats can keep their music sounding snobby, and aristocratic, and give them the illusion they were superior to the folk melodies the violinist on the street was playing, and they were stealing from. I agree with 90% of the posters above me. Just play what sounds good. If you want to learn to a particular style, learn the scales of that particular style, but only use it as a guideline. Go through the excersizes while watching TV, or subconsciously, and then write without thinking about what you're writing. Play around, improvise, break the rules a little. Make music that's your own. Christ, man, this is the reason why we had free jazz!!!
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01-28-2011, 05:37 AM | #19 (permalink) | |
The Omniscient
Join Date: Mar 2010
Location: Reno, Nevada, USA
Posts: 998
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