|
Register | Blogging | Today's Posts | Search |
|
Thread Tools | Display Modes |
04-02-2010, 05:31 AM | #11 (permalink) | |
Music Addict
Join Date: Feb 2010
Location: A State of Denial
Posts: 357
|
Quote:
Like the scale starting on A#/Bb... in Bb it'd be [Bb C D Eb F G A Bb], but in A#, it'd have to be [A# B# Cx D# E# Fx Gx A#] to hit the same notes. And while you can write in a scale with double sharps (although I've never seen it in a key signature), I suppose, it's just a helluva lot easier not to have to. Which is where the chord names things come in, at least some of the time (eg: the Bb chord), since chords are based on scales. I think some of it also has to do with the commonality of the note--if I remember right, F# (the name, rather than the tone) appears in more/more common major scale notations than Gb does, which might explain why that name gets used more. (Note* that this is based on old and fuzzy memory of theory. If I'm wrong here, somebody let me know--it's the only way I'll learn.) [*Pun intended]
__________________
Like carnivores to carnal pleasures, so were we to desperate measures... |
|
04-07-2010, 03:44 AM | #12 (permalink) |
Groupie
Join Date: Apr 2010
Posts: 7
|
One thing to consider is the key you are playing in. If your playing in a flat key, you are going to refer to that note as Gb. If not, it will be F#.
Example: Key of E - the 2nd chord in this key will be F# Key of Gb - you will refer to the first chord in the key as Gb this is very simplified and doesnt give much theoretical explanation, but i think it will help you understand why and when a chord is referred to as a # rather than a b... hope i helped, I apologize if there was any redundancy! |
04-07-2010, 07:18 AM | #13 (permalink) | |
myspace.com/stonebirdies
Join Date: Apr 2009
Location: Conor Oberst Was/is Here
Posts: 1,401
|
Quote:
|
|
|