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There's a reason I don't think anyone ever heard Hendrix refer to 'his' chord as a 'dominant seventh sharp ninth'. Pretty sure he just referred to it as the funky one that sounded cool. And ultimately, sounding cool is the ONLY thing that really matters. |
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I think mr Dave is right, he just didn't know the technical terminology. I think he kinda just developed his own theory, or his own way of understanding how it worked.
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Have to say I was really impressed with this cover of Hendrix. Acoustic as well :bowdown: . I need to do some practicing
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If you want to see some serious wanking, this is the cover to watch; it's acoustic as well. Saw this guy last year, pretty underrated. Little Wing (Acoustic) - Monte Montgomery - YouTube |
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He also covers Red House as well and makes it look so easy. Ive been trying to get better with the style of play he's doing. All his improvising is so concise, crisp and clean. I just cant get the hang of it and play the rythym too. I mean if someone else was playing rythym picking leads no problem. But the transitions between soloing and the rythym is nowhere near up to speed enough. I still struggle to even do the simple little blues rythym he has going that far down on the neck. :(
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I love Jimi, my favorite album would have to be "Electric Ladyland" but my favorite song is "Little Wing" which can't be beat.
His final resting place is only about half an hour from my house in Renton, Washington. |
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