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08-14-2006, 02:30 PM | #181 (permalink) | |
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"Complex musical arangements, virtuoso musicianship (Though this is not always a requirement, as in the case of Pink Floyd), exotic and precise musical scales, odd time signatures, alternate tunings, prominent use of instruments not common in rock music, solo passages for almost every instrument, unusual vocal styles and complex harmonies, alternatives to the "verse-chorus-verse" format, lengthy compositions and epics with multiple parts, which can sometimes be considered songs in their own right (The Yes hit "Soon" was released as a single even though it was originaly a final section of "The Gates of Delirium") and sometimes these songs can take up a whole album side or in some cases be split into seperate tracks (Pink Floyds "Shine On You Crazy Diamond parts 1 & 2"), obscure and sometimes fantastical lyrics, with complex and often intricate narratives and themes dealing with issues ranging from war, religion, history, literature, human mentality, spirituality and even science fiction and fantasy, concept albums (Sometimes refered to as "Rock Opera") that are often meant to showcase these narratives, linking of music with visual art with the use of surreal album covers and elaberate stage shows, imagery that can sometimes be used to illustrate the stories and themes that are discribed in the music and great dynamic range going from quiet to loud often in the same piece of music." That's Tool in a nutshell. If those qualities do not make Tool a progressive band, I don't know what would.
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08-14-2006, 02:36 PM | #182 (permalink) |
They call me Tundra Boy
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That whole description could be used for a majority of classical operas.
It even describes most Andrew Lloyd Webber musicals and... the Lion King, Les Miserables, Miss Saigon etc. If you buy a CD of the music to those musicals, you get the same thing you just described. Are they prog? |
08-14-2006, 03:13 PM | #183 (permalink) | |
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Lock to field screen, row the ocean onto sentient ground. New rites of a Vedic sun to attend the blue horizon. Prevails flight resplendent, sails the shrine effulgent windship. Stillness breathes apex supreme - I walk toward the mountain. Crowns the sovereic rite to freedom. Shored the origin forms to a ground accede. Axiom core of the light shrine flight to shining. Glows serene to attenuate the space and time. |
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08-14-2006, 03:59 PM | #184 (permalink) |
They call me Tundra Boy
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Ah, so it depend on which thread its written about it then. Gotcha.
I was kind of under the impression that to be a progressive band you had to actually be progressive, meaning you somehow were making music progress. Bands that were trying something new and interesting with rock instruments. The desciption which Booboo gave does describe music by bands which were progressive at the time and whose music still contains surprising and thought-provoking musical aspects. Yes, they contained factors like virtuousity, key changes, odd time signatures etc. But those factors alone aren't progressive if its all been heard before, in a similar context. Pink Floyd and YES used the new-ish rock instruments in ways which they hadn't been used before - that's what merits the description 'progressive', not the ability to tick some boxes for what features in the music. Tool might tick the boxes, but in the (oooh, 7 now) songs I've heard by them there was not one single things I heard that I hadn't heard before. Not one single things that made my ears perk up and think "that's unusual". So, not progressive. To me, saying that a certain type of music is progressive implies that you think that music is at the cutting-edge, pushing the boundaries of complexity, exploring what music is capable of. You can like Tool if you want, I have no problem with that, but if you seriously think they are delving into unexplored musical territories then, well, I just don't see how you can think that! Hell, I've played in bands before which used all of the factors Booboo had mentioned and I doubt we could have reasonably be called progressive. |
08-14-2006, 04:05 PM | #185 (permalink) | |
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Lock to field screen, row the ocean onto sentient ground. New rites of a Vedic sun to attend the blue horizon. Prevails flight resplendent, sails the shrine effulgent windship. Stillness breathes apex supreme - I walk toward the mountain. Crowns the sovereic rite to freedom. Shored the origin forms to a ground accede. Axiom core of the light shrine flight to shining. Glows serene to attenuate the space and time. |
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08-14-2006, 04:29 PM | #186 (permalink) |
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I saw not one bit of evidence in those songs that they had delved into new musical territories, nor anything that suggested they were capable of doing so. And if further listening is really required to allow me the right to make that judgement, then I'll happily waive my right and do something more enjoyable with my ignorance.
One of my friends told me on saturday that her mother, who is a psychologist by profession, had said that one of the type of mental illness is exemplified by: "Somebody who does the same thing again and again, and expects to get a different result." Ergo, if I were to listen to another Tool song, having already heard 7 which I did not like then I would be doing so expecting to dislike it. For me to expect otherwise would essentially make me mentally ill. For me to listen to a song expecting that I would not like it would make me an either and idiot or a glutton for punishment. As I am neither an idiot nor a glutton for punishment nor mentally ill, I will not choose to listen to another Tool song by choice. |
08-14-2006, 04:59 PM | #187 (permalink) | ||||
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Lock to field screen, row the ocean onto sentient ground. New rites of a Vedic sun to attend the blue horizon. Prevails flight resplendent, sails the shrine effulgent windship. Stillness breathes apex supreme - I walk toward the mountain. Crowns the sovereic rite to freedom. Shored the origin forms to a ground accede. Axiom core of the light shrine flight to shining. Glows serene to attenuate the space and time. |
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08-14-2006, 05:41 PM | #188 (permalink) | |||
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08-14-2006, 06:08 PM | #189 (permalink) | |
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Plus, I'm with Merkaba that the vocals don't click with me either. Apart from that I quite liked the music, but the guy's just kind of grunting tunelessly in my opinion. EDIT: This post relates to that other band there... I'm going to bed... |
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