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05-25-2006, 05:59 PM | #111 (permalink) | |
Dr. Prunk
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05-25-2006, 06:01 PM | #112 (permalink) | |
The Sexual Intellectual
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Didn`t I just say I don`t have a problem with progression & musicianship as long as it works in the context of the song.
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05-25-2006, 06:02 PM | #113 (permalink) |
dontcareaboutyou
Join Date: Apr 2006
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Yes, formula's suck. I just want to hear anything that sounds good.
This thread has gotten ridiculous. Bass is important. Plain and simple.
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05-25-2006, 06:04 PM | #114 (permalink) | ||
The Sexual Intellectual
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Urb's RYM Stuff Most people sell their soul to the devil, but the devil sells his soul to Nick Cave. |
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05-25-2006, 06:04 PM | #115 (permalink) | |
Atchin' Akai
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05-25-2006, 06:05 PM | #116 (permalink) | |
They call me Tundra Boy
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Some of the bassists that were suggested did make me think that 'good' can often equate to 'wank' (Jaco Pastorius for one. Technically amazing, but I've never heard a piece he played on that I liked... he even messed up that pop song with his farting bass), while others (like Wooten) really add a depth with their bass playing that supports what are already great songs. |
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05-25-2006, 06:07 PM | #117 (permalink) | |
Dr. Prunk
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05-25-2006, 06:07 PM | #118 (permalink) | |
dontcareaboutyou
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05-25-2006, 06:10 PM | #119 (permalink) |
They call me Tundra Boy
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I think you could only aim that description at concertos, where the piano part was written by a piano virtuoso (Rachmaninov or Liszt for example) or the violin part was written by a great violinist (was Bruch?), as most orchestral or group classical was written with the overall sound in mind, not the complexities of the individual instrumental parts.
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05-25-2006, 06:11 PM | #120 (permalink) | |
The Sexual Intellectual
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As I keep saying over & over again i`m talking about when it`s a detriment to the song.
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Urb's RYM Stuff Most people sell their soul to the devil, but the devil sells his soul to Nick Cave. |
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