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10-27-2012, 12:25 PM
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#112 (permalink) | |
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Master, We Perish
Join Date: Sep 2008
Location: Havin a good time, rollin to the bottom.
Posts: 3,710
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I think i forgot to mention that i did give the album a listen, and i will hand it to him that he's an extremely flexible rapper, in delivery and all. Substance wise i didn't hear too closely, nothing caught my attention but i'll listen again for that. The album's music wasn't nearly as enticing as some newer releases, like Black Up or Channel Orange, but it wasn't bad.
One more listen at least, but it isn't anything extraordinary from an artistic perspective, like i would hope to see from such a hyped release.
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10-27-2012, 01:36 PM
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#113 (permalink) | ||
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Music Addict
Join Date: May 2012
Posts: 315
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Also: >Best New Track >implying the lyrics aren't awful >implying the production isn't average as fuck His flow is good though, but I just can't listen to this with my serious face on. "DAYUMN I GOT BITCHES, DAYUMN I GOT BITCHES, DAYUMN I GOT BITCHES" "BIAAATCH, NO WAIT, BIAAATCH, NO WAIT, BIAAATCH" "BIAAATCH, COLDPLAY, BIAATCH, COLDPLAY, BIAAATCH" No I'm not going to try this album. |
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10-27-2012, 01:38 PM
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#114 (permalink) | ||
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not really
Join Date: Jan 2007
Posts: 5,223
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10-27-2012, 01:53 PM
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#115 (permalink) |
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Music Addict
Join Date: Oct 2012
Posts: 52
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Does anyone here listen to anything with any real lyrical substance or heart? Mainstream hip hop ain't been worth a damn since Pac, SMH
Y'all need to be checking out some underground music. Check out Jelly Roll-The Big Sal Story, Haystak-From Start To Finish... Hell, get on datpiff.com and check out any of Jelly Roll's Therapeutic Music mix tapes, they're all free... Real music from real dudes about real life... Sent from my m865 using Tapatalk 2 |
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10-27-2012, 01:55 PM
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#116 (permalink) | |
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Music Addict
Join Date: May 2012
Posts: 315
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10-27-2012, 02:04 PM
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#117 (permalink) | |
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Music Addict
Join Date: Oct 2012
Posts: 52
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Music is subjective and everyone likes what they like. I didn't think dudes freestyle was bad, but it sure didn't wow me enough to put forth any extra effort to check out his other stuff... Sent from my m865 using Tapatalk 2 |
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10-27-2012, 04:45 PM
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#118 (permalink) | ||||
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A.B.N.
Join Date: Aug 2006
Location: NY baby
Posts: 11,451
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The little "annoying" interludes at the end of tracks help string things together. At first I didn't like Swimming Pools by itself but when I hear it on the album it makes sense following the tracks good kid and m.a.a.d city. Those are probably the best two on the album and transitions nicely into Swimming Pools which I like a bit more now.
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Fame, fortune, power, titties. People say these are the most crucial things in life, but you can have a pocket full o' gold and it doesn't mean sh*t if you don't have someone to share that gold with. Seems simple. Yet it's an important lesson to learn. Even lone wolves run in packs sometimes. Quote:
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10-27-2012, 06:13 PM
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#119 (permalink) | |||
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the worst guy
Join Date: Oct 2011
Location: Miami is the place
Posts: 11,609
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I don't think contextualising the tracks makes a difference on my end.
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10-28-2012, 03:34 AM
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#120 (permalink) |
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Music Addict
Join Date: May 2012
Posts: 315
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If a song is awful by itself it can't just get good because it's supposed to be taken into the context of the video, really. It's just a shitty song for me any way around. Context is nice and all, Dark Side of the mOon's tracks work best when you listen to the album as a whole, but they are still great even when you don't listen to them in their context.
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