Quote:
Originally Posted by sleepy jack
I won't be on this week, so I hope there's no complaints that I'm going to make the second place album of last week's polls the album of the week this week. Sorry, I'll have the new nominations added when I'm back. Astronautalis' Pomegranate will be the next album.
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That's why this is going ahead and being posted, again sorry.
Astronautalis "Pomengranate" (Eyeball Records)
1. The Wondersmith and His Sons
2. 17 Summers
3. Secrets of the Undersea Bell
4. My Old Man's Badge
5. Two Years Before the Mast
6. Mr. Blessington's Imperialist Plot
7. An Episode of Sparrows
8. The Case of William Smith
9. Trouble Hunters
10. Avalanche Patrol
11. The Most Important Track on the Album
12. The Story of My Life
Quote:
Originally Posted by The Stranger
Two minutes into Pomegranate, and a baby's already dead. Seattle rapper Astronautalis opens his third album with a gravelly, singsong murder yarn—like Edward Gorey tackling The Great Gatsby—while a live band contorts the burlesque, string-and-piano dirges of Nick Cave into a guitar-driven hiphop track. It's a bewildering collision, this catchy hiphop that converts a symphony of instruments into shameless, poppy hooks, and these strange stories rumbling under the dust of a history-obsessed bookstore.
But Astro's killin' it here. The former battle-rapper and Jacksonville, Florida, native has spent the past few years refining his musical perspective, and here he reaches a new rap-rock pinnacle, more aggressive and poppy than Why? yet darker and deeper than the Beastie Boys. Astronautalis's voice is the secret—deep and drawl-tinged, capably switching from Aesop Rock–ian speed-flow to prolonged singing passages often and seamlessly. There's nothing nasal or timid about this white boy, and even while shout-singing about drowning divers on "Secrets of the Undersea Bell," he still has a rapper's emphasis on flow: "The sea swelled like the ribcage of lions breathing/They pulled till you swore that the rope was bleeding/Ichor poured from the palms of gods and heathens."
Storytelling about the Opium Wars and courtroom sagas allows Astro to both flex his lyrical muscles and let loose on anthemic shouters—quite a few here, none better than "Trouble Hunters," a rumination on Southern pride that recalls "The Night They Drove Old Dixie Down" as a wild fist-pumper. But Astro can't help pointing the light back at himself and shining on the beautiful hidden track, which closes the album, fittingly, with rebirth: "She gave birth to my only son, a smokin' gun, blue-eyed, block chip/On the first warm day to end the ice age, frostbit."
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