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Even if your argument in that respect holds, it fails to explain or justify the application of the term as it is frequently used: i.e., as an umbrella term to cover ALL music that have singing (as opposed to rap) over hip-hop drum beats. |
I was just thinking, I'm going from the categorisation as they have them in record shops here. I think a lot of what is listed as R'n'B in America, but which sounds like pop, just gets put straight into the pop section in the UK so there might be some crossed wires between the two of us.
I'll go and have a look. |
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Now, I'm suggesting here that the majority of western music uses melodies, scales and harmonies which can be roughly categorised as: Classical (straightforward major or minor scales and chord structures) Folk (modes) Jazz Blues In which most pop acts fall on the classical side, using the major or minor scales in a pretty straightforward way. From memory, the melodies for songs like 'Hit Me Baby One More Time' (Britney) and 'You And Your Hand' (Pink) wouldn't sound very out of place as the theme to some Rimsky Korsakov Russian nationlist stomper, in that they make very clear use of minor scales and are very on-note. Back to the list, some of the singers just sing pop music. It's major of minor melodies, maybe it has sad themes but then so does lots of non-blues music: Monica (from what I remember hearing) Jamelia Kelly Rowland Are all, from the music I've heard in the last few years, just pop. I'm pretty sure they are in the pop section in shops over here, not R'n'B. Either way, that's where I'd put them. On the other hand. Ashanti Kelis Amerie Lemar Beyonce John Legend Amy Winehouse Corinne Bailey Rae Mary J Blige All have lots of blue notes and in their music. I'm not claiming they have BB King solos, sing about shootin' their woman or meeting the devil at the crossroads. But why would they? Most of the singers are women who live a long way from any rural intersections. A lot of the harmonies, rhythms and melodies ARE derived from blues* ... if they're not from there then where ARE they from? *Ok, gospel too, which may be more classical than blues. Quote:
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As for the harmonies, I think that the reference to gospel you made was a good point - actually I think the harmonies are arguably more gospel-derived than blues-derived. Though above all, I'd say that the harmonies show more 80s soul influence (though yeah, you could equally point out that soul was partly derived from the blues - though it went its own way). Incidentally, I seem to remember that when this sort of music started getting more mainstream in the early/mid nineties (such as back when Adina Howard's "Freak Like Me" was all the rage), people I knew would refer to it as "swing", or even "hip hop" (as in soul with hip hop beats) - I never heard the term R'n'B being used really popularly until a good deal later down the line. Though maybe I just missed it. |
We don't we really use R n' B as a term to classify music over here. All of that stuff gets filed under Urban which is a f***ing stupid name because the Velvet Underground were about as urbanised as you can get (they were from New York for christs sake!) yet theyre in the rock/pop section.
You never Dock Boggs and Woody Guthrie filed under the Rural section do you? Id call it contemporary soul but I don't think theres much soul in a lot of it so its a misnomer. |
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R&H? Harmony? Maybe but blues? nope! I disagree with this genre name completely.
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Going uptown to SELL it = urban |
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