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#391 (permalink) |
Ask me how!
Join Date: Oct 2014
Location: The States
Posts: 5,354
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Bottle by bottle.
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---------------------- |---Mic's Albums---| ---------------------- ----------------------------- |---Deafbox Industries---| ----------------------------- ![]() |
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#393 (permalink) | |
Groupie
Join Date: Apr 2016
Posts: 13
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Also, does it matter that much who produced it? If they drastically changed their sound so a board of executives would like it that would be selling out, sure, but if some executives bet, rightly, that a band will sell millions, can we hold that against the band?
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#394 (permalink) | |
Groupie
Join Date: Apr 2016
Posts: 13
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Shouldn't it be that anyone CAN put out a DIY records, not that everyone is obligated to? I record with a budget of barely £100 a song. If a label gave me thousands of pounds and left me to my own devices, I wouldn't suddenly sound like One Direction.
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#395 (permalink) | |
Groupie
Join Date: Apr 2016
Posts: 13
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But my overall point is I'm not interested in whether a band is on a major label. Labels are only interested in money but I'm not sure why they would bother looking for punk bands to turn into pop bands when they can just find pop bands. So I have no reason to think a label would make a band automatically worse or better. I think it boils down to an entirely subjective opinion. I quite like their early stuff, and it was a kind of gateway drug for me when I was younger, whereas I presume it sounds like cookie cutter pop to you. It sounds different to us, so we put different labels on it.
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#396 (permalink) | ||
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#397 (permalink) | ||
Groupie
Join Date: Apr 2016
Posts: 13
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Also, this discussion has focused on the harm labels can do to a band and its early following. I think that's one way to look at it but there's also the issue of how it effects the scene generally. I think a better case can be made that major labels created a generation of pop-punk divorced from the punk scene. They got famous on the back of a sound influenced by punk, but no one in punk was acknowledged as an influence. I don't think Green Day fall under this category. They were deeply rooted in the punk scene but, through chance, they were in the right place at the right time to become hugely successful from it.
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