Quote:
Originally Posted by lucifer_sam
Waters took over almost completely from '73-'82. i don't have any problem with most of it, the only glaring exceptions being the second halves of both sides of the Wall. and the Final Cut, but i won't blame that on Waters; the eighties killed prog.
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He was the most prominent songwriter starting with DSOTM, and he became more dominant as each album went by.
As for The Wall, the only side I consider to be weak is the first half of disc 2, Hey You and Comfortably Numb notwithstanding.
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