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04-24-2012, 08:01 AM | #11 (permalink) | ||
Horribly Creative
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Yes on the other hand were hardly a revolving door. The core band was always Jon Anderson, Steve Howe and Chris Squire and when Rick Wakeman and Bill Bruford joined, it was seen as the band that Yes had always strived to reach. Yes only started to undergo multiple line-up changes by the time they got into the 1980s, but they never had a revolving door mentality like KC did.
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Power Metal Pounding Decibels- A Hard and Heavy History |
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04-26-2012, 11:55 PM | #12 (permalink) | |
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04-27-2012, 03:23 AM | #13 (permalink) | |
Horribly Creative
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That might be so, but the point is that the band were striving for perfection and that line-up was seen as being that perfection. Maybe not together, but both Bruford and Wakeman were on a lot of Yes albums in their golden period.
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Power Metal Pounding Decibels- A Hard and Heavy History Last edited by Unknown Soldier; 04-27-2012 at 03:30 AM. |
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05-02-2012, 03:28 AM | #15 (permalink) |
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I like them both, but not unreservedly. Yes have made a lot of great albums, like Close to the Edge and Fragile, but Yes Tor-mato and Open Your Eyes (apart from the title track) are stinkers. In the Court of the Crimson King is fantastic, especially 21st Century Schizoid Man, but from Discipline onwards they were a different band and sounded like Talking Heads. I saw them live, around the time Discipline was released, and the anticipation was massive. Nevertheless, they refused to play Schizoid Man, despite audience requests throughout the show. Robert Fripp sat on a barstool throughout, which he nearly fell off of at one stage, and made weird salutes to the crowd. Disappointing doesn't begin to describe that show. I suppose without Greg Lake and Ian McDonald, they couldn't be King Crimson.
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05-02-2012, 04:05 AM | #16 (permalink) |
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I've only heard a few albums from both bands...but I'm leaning towards Yes mostly because of the strengths of Close to the Edge and Fragile.
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05-02-2012, 05:11 AM | #17 (permalink) |
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I never seem to hear many people raving on bout KC's post debut album apart from Red whereas Yes seem to have knocked out a few classics and near classics after a patchy start so I think history will rembwr Yes better.
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05-02-2012, 08:08 AM | #18 (permalink) |
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i like both about equally
but i think KC has the slight edge because they have more good than bad albums whereas for Yes, with the onset of the 80s, their albums were pretty uneven, to say the least |
05-02-2012, 08:20 AM | #19 (permalink) | |
Horribly Creative
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Yes should've called it a day after Big Generator.
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