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#1 (permalink) | |
Luciferian
Join Date: Aug 2011
Posts: 278
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#2 (permalink) | |
\/ GOD
Join Date: May 2010
Location: Nowhere...
Posts: 2,179
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![]() I would say this song very much is a good example of promoting the compositional intricacy, and care that most mainstream rock is lacking. It's melodic, percussively interesting. Has moments of damn good coordination between instruments. A very unique aesthetic in terms of usage of carnival/cartoon tones(not many things in the 1970s were doing). Gradual progression. Unique structural elements. Nearly every instrument played masterfully. Apart from the vocals, gorgeously harmonic. Yet, even in the harmonic moments, no fear in experimenting in polyphonic, and light avant-garde elements. Plus, distinctly rock in tone(even if the jazz elements are very strong). Just because it isn't 'serious' I don't think the craftsmanship in terms of musicianship really need to be discredited. Where as Jethro Tull is significantly more simple rhythmically. Significantly less subtle thematically. More needlessly repetitive. Too focused on that catchy hook which makes rock accessible. Great band, worse example of 'progressing' from rock norms.
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#3 (permalink) | |
Luciferian
Join Date: Aug 2011
Posts: 278
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What about other mainstream PR bands like Yes and Brand X? |
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#5 (permalink) | |
Luciferian
Join Date: Aug 2011
Posts: 278
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Kansas and bands like that to me came across as fluffy, but that's me. You might actually dig some of my stuff (not exactly Prog Rock but very progressive). Where does PR turn into Jazz Fusion? (I hate these labels but whatever) |
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