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08-11-2011, 07:24 AM | #72 (permalink) | |
D-D-D-D-D-DROP THE BASS!
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Well as far as the academy are concerned, anything that isn't avant-garde, jazz, or classical, is 'popular music'. Rock music and pop music being not that far apart, and metal being essentially rock music, its not surprising they all follow the same basic structures a lot.
What is perhaps surprising is that very little popular music is through composed, (Composed with few or no returns to an identifiable section) at least, not outside of those forms predisposed to building and repetition as a musical device, like downtempo or ambient. Edit: Also, to further address the formula comment above, most of those works were composed using forms because they were for formal occasions where listeners had very strict expectations of the format. When modernism, Wagner, Cage, and even Chopin in the romantic period, come around, the idea of rigid obedience to an expected structure, or even to an audience, was considered outmoded. After all, romanticism was often concerned with the idea of god working through man, rather than critical acclaim or similar. Modernism largely concerned itself with abandoning structure entirely, hence the early works from Schoenberg's atonal period like Pierrot Lunaire, which was entirely atonal and observed no structure, rythmic, melodic, or otherwise.
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Last edited by GuitarBizarre; 08-11-2011 at 07:32 AM. |
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08-11-2011, 07:40 AM | #73 (permalink) | |
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08-11-2011, 07:46 AM | #75 (permalink) | |
D-D-D-D-D-DROP THE BASS!
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Just that you seemed concerned with telling me I didn't know what I was talking about, so I figured that would be an important point for you if you were trying to imply that you do.
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08-11-2011, 07:50 AM | #76 (permalink) | |
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08-11-2011, 08:11 AM | #77 (permalink) | ||
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Then we can mention freeform jazz or improvisational styles which depend on no explicit structure at all to define them, indeed, usually their defining feature is a lack of specific structure to create a more natural movement between sections or parts. They are not easily reproduced before being recorded as a performance, but their structure can only be determined, in most cases, in retrospect, its barely considered during the compositional process itself, if at all! 2 - I never mentioned postmodernism, I mentioned modernism and romanticism. Post-modernism is a very, very, VERY different movement, predominant in popular culture to this day, even in the referential sense, such as Lady Gaga, whose image is pretty much Dadaist/surrealist, both of which are postmodern, rather than modernist, styles.
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08-11-2011, 08:21 AM | #78 (permalink) |
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I guess you are talking about the romantic hero worship of the individual artist, something that carries on to this day in a way. But why that has to be God working through an artist I don't know, particularly as there had already been philosophers and others questioning the existence of God anyway. And I suspect some earlier artists did think their skills had been given to them by God as they saw it. Romanticism is more about LOVE than God, and secular love at that. It's this that gets lifted up to some high ideal. And it got also mixed up with nationalism (due to the politics of the time)
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08-11-2011, 08:35 AM | #79 (permalink) | ||
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This is getting tiring. Please, before you argue about romanticism, modernism, the intentions of an artist, or the nature of a work, I would implore you to educate yourself on the matters via a source more reputable and reliable source than assumption and hearsay. I am not stating what I am stating blind, I have been told this by university lecturers, read it in academic journals and researched it in books written by luminaries and professionals. I have spent a not inconsiderable portion of my life making sure I know what I'm talking about regarding these very topics, in and out of education proper. For all you claim that doesn't matter, my experience suggests that the opposite is in fact true.
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