|
Register | Blogging | Today's Posts | Search |
|
Thread Tools | Display Modes |
09-23-2012, 10:37 PM | #471 (permalink) | ||
carpe musicam
Join Date: Apr 2009
Location: Les Barricades Mystérieuses
Posts: 7,710
|
Quote:
__________________
Quote:
"it counts in our hearts" ?ºº? “I have nothing to offer anybody, except my own confusion.” Jack Kerouac. “If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle. "If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon "I look for ambiguity when I'm writing because life is ambiguous." Keith Richards |
||
09-24-2012, 06:35 AM | #472 (permalink) | |
Groupie
Join Date: Sep 2012
Posts: 28
|
Quote:
Those songs were composed by the Beatles and the idea for the orchestra was McCartney's. From I have read Lennon even produced the mono version of "I Am the Walrus" even though I am not downplaying George Martin. What about the people who played on Chuck Berry and Elvis Presley records? Compared to Elvis and their mentors they had the whole package. Elvis was just a vocalist not a songwriter or musician in the caliber of any of the Beatles. The Beatles songs in terms of melodic and chordal content goes way further than someone like Chuck Berry and 50's rock and roll in general. The Beatles not only had classic singles but a album run of Rubber Soul, Revolver, Sgt. Pepper, White Album and Abbey Road that none of their mentors could approach. Rubber Soul and Revolver combined Eastern, country-western, soul, and classical motifs with trend-setting covers, breaking any mold that seemed to contain "rock and roll." In both albums, balladry, classical instrumentation, and new structure resulted in brilliant new concepts just hinted at in earlier works like "Yesterday" and "Rain." Songs such as "Tomorrow Never Knows," "Eleanor Rigby," and the lyrically surreal "Norwegian Wood" made use of sophisticated recording techniques. . |
|
09-24-2012, 06:48 AM | #473 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
|
Quote:
|
|
09-24-2012, 07:11 AM | #474 (permalink) | |
Groupie
Join Date: Sep 2012
Posts: 28
|
Quote:
It's like many of the Merseybeat bands like Gerry and The Pacemakers and the Searchers couldn't adapt to the emerging psychedelic and progressive rock movement but the Beatles did and was a key influence on many of the key players of that movement including the Byrds, King Crimson, Pink Floyd and yes the Beach Boys. Chuck Berry and Elvis didn't really adapt to these changes. |
|
09-24-2012, 07:36 AM | #476 (permalink) | ||
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
|
Quote:
Quote:
|
||
09-24-2012, 08:29 AM | #477 (permalink) | |
Groupie
Join Date: Sep 2012
Posts: 28
|
Quote:
You can't dismiss the fact the Beatles had a long string of geat albums in which you could basically put anything on vinyl ranging from world music, avant garde, classical and anything else this was unheard of by previous standards of 50's rock and roll. They could have stayed the course and keep writing songs like "I Want To Hold Your Hand" but they progressed into something entirely different. Of course they surpassed their mentors in many ways but I wouldn't say in every facet though. The string of albums of Rubber Soul, Revolver, Sgt Peppers, The White Album and Abbey Road not only marks a clear progression from what they were influenced they in turned influenced thousands of musicians, songwriters and music producers. Neither Elvis and Chuck Berry had an album run like the Beatles and something that IMO is something you can't dismiss easily. Last edited by NYSPORTSFAN; 09-24-2012 at 08:42 AM. |
|
09-24-2012, 08:59 AM | #478 (permalink) | |||
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
|
Quote:
Quote:
Quote:
Once again, the game was different in the 50s. Artists and labels didn't think in terms of LPs so that comparison makes no sense. |
|||
09-24-2012, 09:46 AM | #479 (permalink) | |
Groupie
Join Date: Sep 2012
Posts: 28
|
Quote:
Once again Chuck Berry and Elvis Presley were recording when the Beatles were around so again I don't buy your logic for one minute. Yes you might think Rubber Soul to Abbey Road as not all classics but hey that's your opinion but not what the general consensus of what other musicians will tell you. So you are the saying the game was different in the 50's then I guess it took the Beatles and Bob Dylan to change the parameters of what the rock album should be? Look it's not matter of complexity which the Beatles have in spades over the likes of their mentors it's a matter the craft of writing, playing your own songs and using the studio as an instrument. It's no coincedence the Beatles songs are the most covered in the rock era along with Bob Dylan. The Beatles experimented in just about every way possible — phased vocals ("And Your Bird Can Sing"), dreamlike guitars running in reverse ("I'm Only Sleeping"), the wild abuse of tape loops ("Tomorrow Never Knows") — the songwriting was as strong as it had ever been. Its dissonance was modern, and the wake it's left is audible in everything Animal Collective has achieved. The Beatles were not a mere "pop" band. Only a real simpleton would make THAT charge. Nor did they compose a lot love songs (some of the not as a group ). Some of their songs, in fact, were actually quite radical, sophisticated and even weird (for their time period) both musically and thematically,.. namely songs like 'Lucy in the Sky with Diamonds ( L.S.D. ), Strawberry Fields, and I Am the Walrus ( as a few examples ). They also had a lot of varying musical influences other than just pop and rock 'n roll ( like Asian, classical music, British vaudeville, showtune, psychedelic and so on ). They were pretty much the progenitors, or certainly at least ONE of the early progenitors, of what came to be termed "progressive rock". Calling them and I am not saying you a "pop band" who wrote "catchy tunes" and "silly love songs" shows amazing stupidity from some of the people I have read here. Last edited by NYSPORTSFAN; 09-24-2012 at 09:53 AM. |
|
09-24-2012, 10:21 AM | #480 (permalink) | |
Horribly Creative
Join Date: Jul 2009
Location: London, The Big Smoke
Posts: 8,265
|
Yawn!
__________________
Quote:
Power Metal Pounding Decibels- A Hard and Heavy History |
|
|