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I listened and i gave it 1/5. Resistance was different but it was a really sick album and I wont buy the 2nd Law cuz all there other stuff was way better.
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The first three Muse albums were great, so in comparison I would give the album a 1/5 but in the great scheme of things there are a lot worse albums out there and although the first single was terrible the rest of the non-dubstep tracked seemed to be on par with The Resistance so I'll say this is more along the lines of 2.6/5.
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I gave it a go while I was play StarCraft, so I wasn't listening intently.
It came off as cheesy and boring. I won't be listening again, as I was never much of a Muse fan. |
I like this one. I bought Absolution when it came out, and I have picked up all their releases since. I also like the unique progression of the band. The whole apocalyptic theme that is in all their albums resonates with me. Plus, I like the Queen influence that has evolved into their albums.
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This album nearly made me vomit. Madness is the worst track on it and so I guess the album wasn't as bad as I had feared, given I was expecting an albums worth of that track but it was still awful.
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By the way, this isn't a major Muse defense; I appreciate that people have different opinions on music, but I can't think of any *accomplished* band in any genre that I actually hate, or would make me want to vomit. Just my 2 cents. |
The most positive thing I can say about this album was, again, that it isn't as bad as I had feared and that there is at least the possibility that it will be a grower.
One of the main reasons I dislike it is because I just don't buy into it. I've always struggled to buy into a band who attempt huge, grand, theatrical music if I find it nothing but cheesy and pretentious. This is, of course, due to simply personal taste. I also don't always take too kindly to what I see as a band taking an easy, safe step into following a current trend or playing to whatever is popular to capitalise on a thriving market financially. To me this record smells of something a band produce at a safe, secure time in their career. A band who are scratching an itch to perhaps try something big, something grand, something theatric and think that 'now is the time' to take a risk on it. It's a very ambitious album and I also question the decision to use this album to try both something of this scale and something so familiar, so safe and so trendy such as commercial dubstep. |
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