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What’s the song I keep hearing in Olympic coverage?
It’s a smooth bossa nova/acid jazz kind of song with a pronounced beat and female vocals that go "oooooh, ah-ee-oh". It's definitely a well-known song that I had heard plenty of times before the Olympics. I’ve heard both as general music in the games reporting and as music that gymnasts have done routines to.
Anyone know what it is? |
Anyone?
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It's "Mas Que Nada" by Sergio Mendes. Thanks everyone for your help.
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No problem.
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Anytime.
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Aside from the fact that that's a samba, not a bossa, and, well, acid jazz??? we should have gotten this from "oooooh, ah-ee-oh" . . . maybe. I don't know. At any rate, this is the first I'm seeing of your thread.
And good tune. <thumbs up> (Actually, re "acid jazz," it does have a slight soul-jazz touch to it a la Ramsey Lewis, say, so I guess that was the idea there.) |
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It doesn't have the sound I associate with samba, but I see now that Wikipedia lists it as samba/samba rock so my bad. Though, on the other hand, Wikipedia also lists the Sergio Mendes album it's on as being Bossa Nova. Honestly, despite having a mother who grew up in Brazil, I'm not very knowledgeable of Brazilian musical styles. If you can help clarify the differences between Samba and Bossa Nova (and Tropicalia for that matter), I'd appreciate it. Some of the versions of it that they played during the Olympics were more electronic in style and had an acid jazz tinge, which is why I mentioned acid jazz. Quote:
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You owe us one.
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Here's a basic samba drum pattern: http://f.unkster.tripod.com/samba.jpg And here's a basic bossa drum pattern: http://www.play-drums.com/drumset/Be...BossaNova1.gif Pay attention especially to the accent on "3" in the samba and the 3-2 "clave" part (marked "rim") in the bossa. Those are two of the easiest identifiers for telling if something is a samba or a bossa. |
Your first image isn't showing up. I can't really conjure up what a beat sounds like by looking at musical notation anyway though. I was hoping more for some examples.
Also, I'm confused by the way you keep referring to bossa nova as just "bossa". I've never seen that before, seems linguistically weird. Are we talking about the same thing? My understanding of bossa nova was that it was more of an artistic movement than simply a particular beat. |
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That's also important just for doing jazz gigs in general. A bandleader might call "Autumn Leaves as a bossa" or "Satin Doll as a mambo" and you need to know what to play so that you're actually doing a bossa or mambo or whatever. I've worked as much as a jazz musician as anything else, but I've done a number of Latin gigs over the years, too. In fact, I've been working with a fusiony Afro-Cuban jazz band recently. |
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Tropicalia has kind of fallen by the wayside in this conversation. Is there also a distinct beat associated with that? I used to think I had a pretty good handle on what was and wasn't tropicalia, then I started noticing that a lot of people I think of as belonging in that category frequently get labeled as bossa nova—like Marco Valle and Caetano Veloso, for example. So I'm pretty unclear where the line is between the two. Quote:
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I dabble with some guitar, too, but I pretty much suck on guitar and I'd never try to gig on guitar. The problem there is that I didn't get around to buying a guitar until I was in my 30s and I've never practiced it much. I struggle with the mechanics of it--I don't know if I'm just too used to bass, but guitar just seems too small to me/the strings seem to close together, etc. I can eke out guitar parts for demos, though. |
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