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08-07-2019, 09:57 AM | #341 (permalink) |
All day jazz and biscuits
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John Fahey After the Ball Weird record where Fahey explores dixieland. I like it a lot but it isn't considered one of his best, especially after it being he second record on a big label like Reprise. I love anything Fahey though so I'm happy with it. |
08-07-2019, 10:16 AM | #342 (permalink) | |
one-balled nipple jockey
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Pretty interesting that Robert Christgau loved those two Reprise records
https://www.robertchristgau.com/get_chap.php?k=F&bk=70 Quote:
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08-07-2019, 11:15 AM | #345 (permalink) |
one-balled nipple jockey
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I’m not trying to imply you don’t understand this. I’m just popping in my two cents. Braxton can be a little bit of a conundrum because he plays really out there stuff while at the same time being a traditionalist. Perhaps very often when jazz is kicking you in the nuts it’s giving you that wild impression of being uprooted and ungrounded in way that shouts FREEDOM. It doesn’t have to be free jazz to do that. Charlie Parker does that, even though he’s well grounded all the time there’s this wildness that makes the listener forget it. But Braxton is rooted in a more scholarly way so the nutcrunching might demand a more academic listening approach. The album you’re talking highlights something he does incredibly well. And you mentioned it, bop to free, he connects the dots in such a fiercely logical way- so ****ing quickly - this isn’t just collage genre shifting - Braxton takes you there. Every note has a transitory quality and his skill and intuition is stunning.
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08-07-2019, 12:45 PM | #346 (permalink) | |
All day jazz and biscuits
Join Date: Feb 2010
Location: NJ
Posts: 7,354
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Quote:
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08-07-2019, 02:04 PM | #348 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
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I respect that. I think it’s totally fine to not even trying differentiate the quality of everything from Bitches Brew to Dark Magus. To me it’s all a blur of fantastic unassailable records.
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