from freak fighter to lamp lighter

OccultHawk · 06-13-2018, 01:01 PM

Stone Speak
Album by Robert C. Kozletski

Apocryphos Changed his name I guess.

https://cryochamber.bandcamp.com/album/stone-speak

listen to this album or I kill your cat

OccultHawk · 06-13-2018, 07:41 PM

Einojuhani Rautavaara
9 October 1928 – 27 July 2016

OccultHawk · 06-14-2018, 05:18 AM

hammock everything and nothing

https://www.youtube.com/playlist?lis...5WciyDvW_-Sux9

A shoegaze record where all the songs don’t sound the same. Still captured the cool hypnotic vibe that makes the genre appealing.

josht23musiclover · 06-14-2018, 04:00 PM

Quote:

Originally Posted by OccultHawk

Schoenberg, Xenakis, Messiaen, Stockhausen, Nono and many more.

The bolded composers are all included in the Freak Fighter Top 40.

The bolded are indeed great, but I heard my first Nono work the other day: very excited to explore more! I wonder why he's relatively neglected...

The first half hour or so here is especially recommended (Como una ola de fuerza y luz), but the piece after and then the Manzoni to finish off are quite good:

(if you haven't heard these already)

OccultHawk · 06-15-2018, 10:27 PM

Josh did you check out the Rautavaara clip above?

OccultHawk · 06-16-2018, 04:55 PM

ok

I’m going to take a break from the all things 2016 theme to interview Music Banter banger, Mondo Bungle, about his new album Desert Universe composed under the alias ZÖN available on Spotify and Bandcamp.

https://znmusic.bandcamp.com/album/desert-universe

First off, in the above introduction I assumed you’re male but I don’t know that for certain. Also, I described ZÖN as an alias.

Am I in need of any correction concerning my assumptions? Is Desert Universe something you created alone or is it a collaboration?

grindy · 06-16-2018, 05:44 PM

**** yeah! Do a proper lengthy interview! That'd be awesome.

Mondo Bungle · 06-16-2018, 05:46 PM

it was all me

OccultHawk · 06-16-2018, 06:09 PM

Well I just finished listening to it and it’s a real powerhouse. Congratulations.

Before I ask you what you used to make and record these sounds I’m curious where you were. Part of the mystique of music like this comes from how unknowable the artist’s surroundings were if they choose to keep it unknown. So I’m asking you to break this down for me as much as you’re comfortable with. Your Bandcamp says Lake Tahoe. That could mean anything from a twenty million dollar ski lodge to couch surfing and car living. In as much detail as possible where were you when you created and recorded this music?

Mondo Bungle · 06-17-2018, 03:46 PM

Rubidium Funeral Dirge and some of the title track had already been around for a while, both made around the same time. The former came first and it was me wanting to do a funeral doom jazz album. Both tracks went down in Tahoe when I was doing stuff at their library still, and thusly are centered around ultra distorted and modulated guitar that I recorded even longer before that. But a little bit ago I had access to an electric guitar for the first time in a while and got down for a while. It was a friend's guitar in Reno, and his place is pretty woodsy, so ridiculously enough I proposed we go as far into the forest as our extension chords would let us and record there. That's where the clean guitar in the title track came from, and the whole conception of the The Journey, and I'd go on to tack on all the samples and synths and drums later. The last track has some of that forest guitar too, but especially modulated.

I guess it's not as awesome as you might have thought.

06-13-2018, 01:01 PM	#521 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,006	Stone Speak Album by Robert C. Kozletski Apocryphos Changed his name I guess. https://cryochamber.bandcamp.com/album/stone-speak listen to this album or I kill your cat __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

06-13-2018, 07:41 PM	#522 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,006	Einojuhani Rautavaara 9 October 1928 – 27 July 2016 __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

06-14-2018, 05:18 AM	#523 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,006	hammock everything and nothing https://www.youtube.com/playlist?lis...5WciyDvW_-Sux9 A shoegaze record where all the songs don’t sound the same. Still captured the cool hypnotic vibe that makes the genre appealing. __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

06-15-2018, 10:27 PM	#525 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,006	Josh did you check out the Rautavaara clip above? __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

06-16-2018, 04:55 PM	#526 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,006	ok I’m going to take a break from the all things 2016 theme to interview Music Banter banger, Mondo Bungle, about his new album Desert Universe composed under the alias ZÖN available on Spotify and Bandcamp. https://znmusic.bandcamp.com/album/desert-universe First off, in the above introduction I assumed you’re male but I don’t know that for certain. Also, I described ZÖN as an alias. Am I in need of any correction concerning my assumptions? Is Desert Universe something you created alone or is it a collaboration? __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

06-16-2018, 05:44 PM	#527 (permalink)
grindy . Join Date: Oct 2014 Location: . Posts: 7,201	** yeah! Do a proper lengthy interview! That'd be awesome. __________________ A smell of petroleum prevails throughout.**

06-16-2018, 05:46 PM	#528 (permalink)
Mondo Bungle Prepare 4 the Fight Scene Join Date: Jun 2011 Posts: 7,675	it was all me

06-16-2018, 06:09 PM	#529 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,006	Well I just finished listening to it and it’s a real powerhouse. Congratulations. Before I ask you what you used to make and record these sounds I’m curious where you were. Part of the mystique of music like this comes from how unknowable the artist’s surroundings were if they choose to keep it unknown. So I’m asking you to break this down for me as much as you’re comfortable with. Your Bandcamp says Lake Tahoe. That could mean anything from a twenty million dollar ski lodge to couch surfing and car living. In as much detail as possible where were you when you created and recorded this music? __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

06-17-2018, 03:46 PM	#530 (permalink)
Mondo Bungle Prepare 4 the Fight Scene Join Date: Jun 2011 Posts: 7,675	Rubidium Funeral Dirge and some of the title track had already been around for a while, both made around the same time. The former came first and it was me wanting to do a funeral doom jazz album. Both tracks went down in Tahoe when I was doing stuff at their library still, and thusly are centered around ultra distorted and modulated guitar that I recorded even longer before that. But a little bit ago I had access to an electric guitar for the first time in a while and got down for a while. It was a friend's guitar in Reno, and his place is pretty woodsy, so ridiculously enough I proposed we go as far into the forest as our extension chords would let us and record there. That's where the clean guitar in the title track came from, and the whole conception of the The Journey, and I'd go on to tack on all the samples and synths and drums later. The last track has some of that forest guitar too, but especially modulated. I guess it's not as awesome as you might have thought.