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12-10-2017, 02:14 PM | #241 (permalink) |
one-balled nipple jockey
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C
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2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html Last edited by OccultHawk; 10-16-2021 at 12:05 PM. |
12-10-2017, 05:06 PM | #242 (permalink) |
one-balled nipple jockey
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Here’s a jazz curiosity that if anyone knows any thing about please fill me the **** in
In 1965 Lee Morgan went into the legendary Van Gelder Studio with Reggie Workman, who was already featured on three Coltrane records and five Art Blakey records, and Billy Higgins, who had all of Ornette’s early classics on his resume. They record an excellent hard bop album of new material but Blue Note decides not to release it until 1981. Infinity - Lee Morgan In 81 it had this cool as **** artwork: Then it goes out of print, probably because hard bop was hardly still in style, which is probably why they designed the cover to look like a fusion record. Then it’s not released on CD until 98 (as goddamn limited edition) with this cover: WTF Blue Note? Thankfully, it’s on Spotify now.
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12-10-2017, 05:12 PM | #243 (permalink) |
Call me Mustard
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I'm actually listening to a lot of hard bop right now as I'm trying to do a project on my favorite albums of each year. So far, I'm partial to Coltrane and Sonny Rollins (I'm only up to 1958 so far). In fact, give Sonny Rollins' Way Out West a spin. The title track is cool as cucumbers.
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12-10-2017, 05:17 PM | #244 (permalink) |
SOPHIE FOREVER
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If it was recorded in 1965, maybe Morgan didn't want it to be released and the rest can be pinned on changing management.
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12-10-2017, 06:01 PM | #245 (permalink) |
one-balled nipple jockey
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Maybe. If you can find a link or a source I’d honestly like to know.
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12-10-2017, 06:06 PM | #246 (permalink) | |
SOPHIE FOREVER
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Quote:
Looking at Blue Note's history, both releases were done during different rerelease series so that's why I was thinking that it was different execs heading up different projects.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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12-10-2017, 06:07 PM | #247 (permalink) | |
one-balled nipple jockey
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Quote:
Blue Train - 1958
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12-10-2017, 06:31 PM | #248 (permalink) | |
one-balled nipple jockey
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Quote:
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12-10-2017, 06:41 PM | #249 (permalink) |
Call me Mustard
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Actually Blue Train is my favorite Jazz album so far. I did hear a Love Supreme a few years back and that could be the best jazz album ever. I'll probably be listening to that again as I get into 1965.
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12-10-2017, 09:31 PM | #250 (permalink) |
one-balled nipple jockey
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If you’re in the mood for something gentle and underrated this is a good one to chillax on:
Bill Evans Trio with Symphony Orchestra Evans comfortably hits the spot with gorgeous orchestration. The critics didn’t appreciate how well it sits together for some reason. It’s substantive music but it’s like come on don’t tell me you don’t like the feel of brand new socks, you know?
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