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12-21-2020, 05:20 PM | #1251 (permalink) | |||
the bantering battleaxe
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12-24-2020, 03:30 AM | #1252 (permalink) |
one-balled nipple jockey
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Yeah. It’s a really intricate jam.
_______________________________ Savage Mode by 21 Savage and Metro Boomin Savage Mode is a triumph built on the legacy of Future, who makes an appearance, and proof that in 2016, Atlanta, Georgia was the cultural epicenter of the universe. The obsession with tongue twisting intricacies is gone but the complete embrace of bleak hopelessness and brutal nihilism is in full effect. Why has the vanguard of black culture gone from the hope and spirituality of 1960’s free jazz to complete and utter despair? Because after fifty years of struggle the chances of a real ghetto success story are worse than ever, even among the most talented in the hip hop community. Prison and murder is always lurking. The sheeted ghosts and white devils still make the rules.
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12-24-2020, 01:51 PM | #1253 (permalink) |
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Departed Glories by Biosphere https://biosphere.bandcamp.com/album/departed-glories Departed Glories is dark ambient program music by Norwegian composer Geir Jenssen set in Russia. Cold. Vast. Empty. Frozen blood in the soil. The taiga teeming with life. The frozen lungs of our planet. Perhaps the Russia that can only really be seen by a Norwegian.
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12-25-2020, 09:20 AM | #1254 (permalink) |
one-balled nipple jockey
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Tiento de la Luz by Thomas Köner Although Köner has received a fair share of recognition this 2016 release seems to have slipped under the radar. He’s been at it a long time and Tiento de la Luz - google translates it as “touch of light” and according to the label website, “A tiento is a form of keyboard music that originated in Spain in the mid-15th century.” https://denovali.com/thomaskoner/ - some of this is very melodically expressive and relatively much more accessible in a manner that reminds me of more pared down Sigur Rós but other parts a very stark, spare, and abstract. Recognition or not this is a top 2016 release from an unassailable composer who claims that music does not exist.
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12-25-2020, 10:16 AM | #1255 (permalink) |
one-balled nipple jockey
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The Infinity Room by 36 https://astrangelyisolatedplace.band...-infinity-room 36 has been one of my favorite go to ambient artists for the past few years and with almost 80,000 monthly listeners and tracks with over 5 million plays on Spotify I’m not alone. It seems to have been accomplished by the brute force of the quality of his music because their web presence in minimal. TIR is a 2016 release in accordance with my current Freak Fighter theme but 2020 was a fantastic and prolific year for this artist. He has been chosen for the curated Lava Lamp playlist on Spotify which certainly helps his numbers. He’s not a radical ground breaking pioneer but he’s the type that does what he sets out to do extremely well and any fan of ambient music is doing themselves a disservice if they don’t add this guy to their listening rotations.
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12-25-2020, 11:12 PM | #1256 (permalink) |
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Site Specific by Ryan Teague https://ryanteague.bandcamp.com/album/site-specific Ambient jazz fusion played by an actual band which includes a bass clarinet, fluegelhorn, cello plus electronics and percussion. This is another one that’s incredibly good and under the radar.
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12-26-2020, 08:15 AM | #1257 (permalink) |
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Leaps in Leicester by Alexander Hawkins and Evan Parker Lisbon based Clean Feed Records might be the best jazz recording label of the last twenty years and this under appreciated masterpiece is a great example why. Parker, in his early 70’s at the time is one the great jazz heavyweights who refuses to retreat so long as there is breath to be breathed into his tenor. The younger Hawkins, who has a fantastic resume his damn self, brings glory to an instrument I’m always excited to see in the band, the Hammond organ. Personally, I love the duet format, especially with instrumentalists like this who are incredibly intuitive and make beautiful use of the extra sonic space.
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12-29-2020, 09:56 AM | #1258 (permalink) |
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SO BEAUTIFUL, IT STARTS TO RAIN John Butcher | Ståle Liavik Solberg https://cleanfeed-records.com/produc...tarts-to-rain/ Another fantastic duo spreading free jazz glory on Clean Feed Records. While not as renowned as the duo above these two also have impressive resumes especially the senior Butcher who has even more tonal space to move playing with just percussion. This will not disappoint.
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12-29-2020, 10:12 AM | #1259 (permalink) |
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Artist: Arve Henriksen, Hilmar Jensson & Skúli Sverrisson Title: Saumur Saumur is an unusual mellow record that’s pretty hard to label but I’ll go with instrumental ambient jazz indie. If you’re familiar with Henriksen, and he’s a good musician to get to know, his stamp is certainly on this. If you’re looking for some good sounds to kick through covid winter evenings that won’t scare your cat this a winner.
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12-30-2020, 12:07 AM | #1260 (permalink) |
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Strange City by Merzbow Strange City is the obvious and correct pick for the best and most important pure noise record of 2016. It’s a Lawrence Taylor type of tackle to seriously take on and reinterpret the music of Sun Ra and I’d be dubious of all but a select few artists who would dare to try. I learned from reading the pitchfork review something I probably should’ve been able to piece together myself from the album’s title: that this record is composed from very rough and chaotic samplings (spiced with Merzbowisms) from two classic Sun Ra masterpieces: Magic City and Strange Strings Magic City is an homage to Sun Ra’s hometown of Birmingham, Alabama and Strange Strings is “a study in ignorance” where Sun Ra gave his band a bunch of stringed instruments they had no experience with.
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