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11-14-2016, 06:15 AM | #411 (permalink) | |||||||
Ask me how!
Join Date: Oct 2014
Location: The States
Posts: 5,354
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Hey, I'm down to talk about all of this again.
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The world sucks. It has always sucked, and it will always suck. The rich will exploit the poor, and the poor will exploit themselves. Artists will struggle, while thieves become kings. All we can do is carry on, and to try to make things at least a little bit better. You may think digital goods are a conundrum, but guess what? They're here, and they're here to stay. Instead of stealing what you want because in your mental calculations you figure you're hurting corporations more than artists, maybe you could try to figure out a way that artists can sell their music without getting screwed? Maybe you could look at the successes and failures of Itunes and Bandcamp, and design a system that's even better, without just throwing your hands up and saying "Digital goods confuse my morality. Let's just make everything free! Now the artists that make a penny per song can make nothing per song! Yay!" Yo, that better be an independently crafted drink. Don't want to piss off Big Hipster.
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11-14-2016, 06:44 PM | #412 (permalink) | |||||||||||||||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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Thanks so much, everyone for reading my inane rantings, tolerating my cluelessness, and for contributing your valuable insight. My goal in all this is to develop a better understanding of the world *out there*. As you were each so kind as to read and reply, I'll address each of your comments.
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WSJ published an article titled, Stores Confront New World of Reduced Shopper Traffic - E-Commerce Not Only Siphons Off Sales, but Changes Shopping Habits and featured some alarming statistics about the massive downward trend in shopping center traffic. In January of 2014 when the piece was published, online sales had increased by more than double the rate of brick-and-mortar sales. So please forgive me for my narrow-sighted claim - it is e-commerce and not artisanal goods which continue to displace the brick and mortar corporate industries. Yes. Yes, I was. (More on this after Tristan’s comment below.) Quote:
But then I left art school, found Eno, took a damn shower, cut my hair, and never looked back. Funny you should mention music-making - I’m presently building an audio workstation with Ableton Live Suite, Reaktor 6 and a stockpile of VST banks. Now it’ll be MY turn to not get compensated for my work! Touché. Fantastic! I love having my eyes opened! Quote:
I’m simply claiming that that sort of a business model is patently unsustainable and unrealistic. And every few years, I create an account on Spotify and their competitors’ sites and throw a dozen or so albums at their database to see what’s available. The results have been painfully embarrassing without fail every single time. So, (speaking only for myself), streaming services are absolutely useless. They have horrifically-limited content libraries, and there is still the looming dystopian element of the fact that you don’t have any of the music you play. A corporation is in complete control of your access to that data. I’ve seen how this book ends. Quote:
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But at least with the current situation, filesharing may help increase sales, as was reported in a study published by Queens University and featured in an article on TorrentFreak last January. Quote:
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I’m on board. I’ll help fight to preserve net neutrality so that content distributors large and small can compete fairly, I’ll urge Congressmen to help stop corporations from telling ISPs what data to censor without following due process or filing DMCA notices, I’ll advocate for and utilize Creative Commons licensing as a better alternative to traditional copyright, I’ll promote remix culture and a society which thrives artistically with a rich public domain, and I’ll donate, vote, and fight to eliminate the media oligopoly to return distributive control to the artists. And I will support artists who offer their music direct to the listener through new and emerging services. Quote:
It’s lovely.
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11-19-2016, 01:22 PM | #413 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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It's finally happened.
After a decade of collecting rare, import, and exclusive vinyl, I've finally, finally succumbed to the pure saccharine-soaked nostalgia of my youth and bought vinyl issues of my favorite albums from high school. (I was born in '81)
I feel a bit dirty - like I'm committing a grievous audiophile sin, but hell, it's a lot of fun to own and spin giant gatefold 180g analog editions of my adolescence. It's also the first-ever time I've blasted rock music on my hi-fi. Really a novel and enjoyable experience! These MoV pressings are really impressive - well-mastered, heavy as hell, super glossy and solid jackets, resealable anti-static mylar bags, really nice color 12x24 inserts, audiophile 180g vinyl... well worth the $$$.
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11-19-2016, 04:03 PM | #414 (permalink) |
OQB
Join Date: Mar 2015
Location: Frownland
Posts: 8,831
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innerspaceboy listens to White Zombie!? Didn't expect that one.
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Music Blog / RYM / Last.fm / Qwertyy's Journal of Music Reviews and Other Assorted Ramblings |
11-19-2016, 04:13 PM | #415 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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I'm more surprised by Bush.
I would've told a young ISB to listen to Cows.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
11-19-2016, 04:33 PM | #416 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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I was locked up from 1995-1999 so my musical exposure was sorely limited. I would often pick up busted cassette tapes from people's trash and from the gutters as a child which I'd take home and repair. That introduced me to GnR, Ugly Kid Joe, Pantera's Far Beyond Driven and Vulgar Display of Power, Iron Maiden's Fear of the Dark, Suicidal Tendencies' self-titled debut, and more. But other than that (and a copy of Carcass' Heartwork I found misshelved in a mental hospital), I had no exposure to music in the 90s.
Astro-Creep was a sample-rich horrorshow and I really enjoyed the mythos of The Electric Head. I wanted to join Psychoholics Anonymous and eventually scored an original copy of Make Them Die Slowly at a rummage sale. Good times.
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11-19-2016, 09:03 PM | #417 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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SO EXCITED!
It's coming!
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11-19-2016, 09:05 PM | #418 (permalink) | ||
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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Yes. Yes ****ing yes! I've been dabbling in sample-based instrumental hip hop like DJ Shadow, J Dilla, and Lil Ugly Mane, and this album happened to come up in my search for similar ****. Blasted my ears right off. How the world can let copyright laws get in the way of such artistically amazing music such as this is the height of bull****.
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11-19-2016, 09:25 PM | #419 (permalink) | ||||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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I'd also suggest you track down The Original Australian Zomba Promo Mix which was the intended album before compromises had to be made to appease the label. Cheers!
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11-23-2016, 05:17 PM | #420 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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Hooray for metadata projects!
After discovering a fun graphical Linux desktop applet music controller for gMusicbrowser I was reminded just how many of my digital albums lack cover artwork. I decided that it was finally time to tackle an automation solution for the problem. The popular Bliss application failed to install so I explored the fetch_cover.pm plugin for gMusicbrowser, but the retrieve-cover-from-Google-or-Discogs feature isn't working correctly in the present build.
Thankfully, after a bit of experimentation, I found that Clementine's Cover Manager was well-suited to the task. It dynamically retrieves all albums missing covers and applies the logical Discogs/Picard/Google matches to the albums. Best of all, it has a user-configurable option to export covers to image files and to nest them in album folders so that gMusicbrowser will detect and apply the artwork to my library the next time I load the application! 10,536 of my albums were missing covers and the automation is running presently. I've duplicated my library as a precautionary measure in case anything goes amiss. CAN YOUR HEART STAND THE EXCITEMENT?
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