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01-16-2017, 10:39 AM | #281 (permalink) |
Born to be mild
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Bigger and better for 2017. Well, bigger anyway... Some changes have occurred. When I started this journal it was as a sort of foil to my main journal, where reviews could be condensed and not run on for ten pages like my usual style. In the interim I've learned to be a little less wordy (no, I have) and so the idea of shorter reviews kind of doesn't make too much sense any more. Also, I now have my “Listening List” thread for that. So here I'm going to change the format. There will be no reviews. Definitely not. No way. Well, maybe. Occasionally. Sometimes. Depends on how I'm feeling. But the point is there won't always be one. The idea is that I will listen to the album, rate the tracks using my patent pending “Love or Hate?” style, and will write most likely a few short lines, maybe a paragraph in some instances about the album. Just basic stuff. In some cases, this may expand out a little but it most it will just be a line or two. Maybe. Also, some categories are going or being merged. Things like “favourite track(s)” will now be redundant, as you'll be able to see from the track listing what I thought of each one. I'm getting rid of “Initial impression” too, and the ratings will be moved to the end instead of being the first thing you see. Also, although this was originally conceived to only deal with albums I had not heard before, I will now also feature some I know, on occasion, but may either not have heard for a while or may only have listened to once or twice. Actually, you know what? I'm removing all restrictions on albums reviewed here: if I've heard it before, reviewed it before even, if it's part of The Great Discography Project or has appeared in another journal or thread, or is due to, don't care. I may look at it here too. Anything is up for grabs. Taking the Hum Factor out too, as it's really unimportant to how good or bad an album is. Artiste: Casting Crowns Nationality: American Album: Come to the Well Year: 2011 Label: Beach Street/Reunion Genre: Christian Rock Tracks: Courageous City on the hill Jesus, friend of sinners Already there The well Spirit wind Just another birthday Wedding day Angel My own worst enemy Face down So far to find you Chronological position: Fifth album Familiarity: Zero Comments: You know, I could go on smugly about how this is sub-country mixed with pop/rock and a large slice of Christian worship, but who the fuck cares? If you can put aside the overtly religious messages in the songs (which you should have expected anyway if you had done your research before beginning to listen to this) then you can enjoy this on its own merits. In places, nowhere near as preachy as I had expected, and the songwriting is good. Kind of reminds me of if Bon Jovi did Christian Rock. If that makes your blood run cold, move along; I like most of this. It is a little embarrassing when they try to “rock out” on “My own worst enemy” though. Intention: I reckon I'll check out more of their material. Who cares if they're part of the God Squad? I listen to (some) Black Metal but don't venerate Satan. This is decent music.
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Trollheart: Signature-free since April 2018 Last edited by Trollheart; 01-16-2017 at 10:54 AM. |
01-16-2017, 10:43 AM | #282 (permalink) |
OQB
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*projectile vomits onto computer monitor*
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Music Blog / RYM / Last.fm / Qwertyy's Journal of Music Reviews and Other Assorted Ramblings |
01-16-2017, 10:53 AM | #283 (permalink) |
Born to be mild
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Quiet, you.
On we go... Artiste: Val Tvoar Nationality: Estonian Album: In Light You Believe ... But In Darkness You Dwell Year: 2016 Label: Independent Genre: Stoner Metal/Stoner Rock Tracks: Metal of instru The wizard named Goodbad There's no tomorrow Mind reader, the shadow The last dance I am you Three shovels of dirt The night when everything went wrong and you shot me down Dark side of mine REbornCYCLE Chronological position: Debut album Familiarity: Zero Comments: Of all the Estonian artists I've ever heard, this guy is the first. With a title like that I was expecting Doom or even Depressive Black Metal, but no. I'd have to say, we're five tracks in now and I haven't really heard anything that blows me away. It's all very competent rock, and tracks like “The wizard called Goodbad” (which basically serves as the title track) and “The last dance” stand out, as well as “The night when everything went wrong and you shot me down”, one of the heaviest on the album. But most of it is, well, all I could call it is competent really. That's not fair: it's probably great, and the guy will probably be a big star this time next year, but I just don't see much to get overly excited about personally. Intention: I'm not that sure I'd be interested in a follow-up, but I might listen to it.
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01-16-2017, 11:15 AM | #284 (permalink) |
Born to be mild
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Artiste: Captains of Sea and War Nationality: Spanish Album: Captains of Sea and War Year: 2014 Label: None Genre: Post rock/Prog rock Tracks: Call again Kurtz Aboard You need to restart Far Zittersheim Five times the sea East Chronological position: Debut album Familiarity: Zero Comments: It's an odd one this. Very good post-rock but there is some singing, which I find a little odd: I always thought post-rock was exclusively instrumental? We don't hear it again until the fifth track, “Far”, by which time it really takes me by surprise, Some good stuff in here though. It's good but as ever it's hard to pin down reasons why it's good, or if it really is that great. Definitely, the addition of occasional vocals is different, and makes the band at least stand out from the hundreds of other post-rock outfits out there. Intention: I'm not really sure. Might check out their other release, but I don't feel particularly compelled to.
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01-21-2017, 12:55 PM | #285 (permalink) |
Born to be mild
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Artiste: Low Nationality: American Album: I Could Live In Hope Year: 1994 Label: Vernon Yard Genre: Slowcore Tracks: Words Fear Cut Slide Lazy Lullaby Sea Down Drag Rope Sunshine Chronological position: Debut album Familiarity: Ones and Sixes Comments: Don't think I've seen an album before that had one-word titles for every song. Oddly, having downloaded all of Low's discography after listening to and enjoying Ones and Sixes, I chose this one at random, and it turns out to be their debut. Apparently this was one of the albums that helped create the genre of slowcore. Well I can see why it's called that. Very laidback, very relaxed, very downbeat, though at times a little dreary, like on “Rope” and “Cut” but at other times quite breathtakingly beautiful, as on “lullaby” and “Slide”. The cover of “You are my only sunshine” (shortened just to “sunshine”) as the closer is clever and unexpected. Intention: I'll keep exploring this band. Reckon I'll like them.
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01-21-2017, 01:02 PM | #286 (permalink) |
Born to be mild
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Artiste: If These Trees Could Talk Nationality: American Album: Above the Earth, Below the Sky Year: 2009 Label: Metal Blade Genre: Post rock Tracks: From roots to needles What's in the ground belongs to you Terra incognita Above the Earth Below the sky The sun is in the north Thirty-six silos The flames of Herostratus Rebuilding the temple of Artemis Deus ex machina Chronological position: Debut album Familiarity: Zero Comments: What can you say about post-rock? I understand how Ki finds it hard to express why certain post-rock albums appeal to him. This is good, strong guitar-driven post rock, but then, isn't most of this genre? Is there anything different about it? Does it stand out from its fellows? No. Does that make it any less good an album? No, but it makes it hard to pin down exactly why I like this. But I do. Intention: Meh, post-rock is as post-rock does, ya know? I'd probably not avoid their next album, but I wouldn't go actively seeking it out either.
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01-21-2017, 01:05 PM | #287 (permalink) |
Born to be mild
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Artiste: Pallbearer Nationality: American Album: Sorrow and Extinction Year: 2012 Label: Profound Lore Genre: Doom Metal Tracks: Foreigner Devoid of redemption The legend An offering of grief Given to the grave Chronological position: Debut album Familiarity: Foundations of Burden Comments: Not really a lot to say. Another brilliant doom metal album, hard to pick out any favourites because they're all good, though the closer is something pretty special. Intention: They have a new one out this year. Need to check that out.
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01-21-2017, 01:09 PM | #288 (permalink) |
SOPHIE FOREVER
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I've tried a few times to get into Pallbearer. They're similar to Baroness for me where they're not exactly bad, but they're just uninteresting and fail to make an impression on me. I might try that album and see if that still fits.
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01-28-2017, 10:34 AM | #289 (permalink) |
Born to be mild
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Artiste: Vaults Nationality: British Album: Caught in Still Life Year: 2016 Label: EMI Genre: Electronica Tracks: Cry no more Premonitions Midnight river One last night Poison Paradise Bodies Hurricane Overcome Lifespan Orphan Bloodflow One day I'll fly away Chronological position:Debut album Rank: n/a Comments: This is a pretty good synthpop/electronica debut, sort of reminds me of a slower, more downtempo version of Chvrches. Maybe. My attention was piqued with “Poison”; up to that it had been okay, but after that the album just got more and more solid and interesting. The cello accompaniment to “Orphan” is haunting and beautiful. Do a good version of Randy Crawford's “One day I'll fly away”, too. Great orchestral arrangement. Superb. Intention: Watch them: they will be big in 2017. Seems their videos already gained twenty million views before the album was released! Sounds hard to believe. Or not.
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02-17-2017, 03:22 PM | #290 (permalink) |
Born to be mild
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Artiste: Annie Lennox Nationality: British Album: Bare Year: 2003 Label: RCA Genre: Pop Tracks: A thousand beautiful things Pavement cracks The hurting time Honestly Wonderful Bitter pill Loneliness The saddest song I've got Erased Twisted Oh God (Prayer) Chronological position: Third album Rank: Novice Comments: “Pavement cracks” starts like a ballad but quickly acquires teeth and a beat, and surely that's Stevie Wonder on the smoking sultry harmonica on “The hurting time”? She certainly channels Karen Carpenter on “Wonderful”. The exuberant soul swagger of “Bitter pill” contrasts sharply with the fragile vulnerability of “The saddest song I've got”. Intention: I think I'd like to hear more of this.
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