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Old 01-16-2017, 10:39 AM   #281 (permalink)
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Bigger and better for 2017. Well, bigger anyway...

Some changes have occurred. When I started this journal it was as a sort of foil to my main journal, where reviews could be condensed and not run on for ten pages like my usual style. In the interim I've learned to be a little less wordy (no, I have) and so the idea of shorter reviews kind of doesn't make too much sense any more. Also, I now have my “Listening List” thread for that. So here I'm going to change the format.

There will be no reviews. Definitely not. No way. Well, maybe. Occasionally. Sometimes. Depends on how I'm feeling. But the point is there won't always be one. The idea is that I will listen to the album, rate the tracks using my patent pending “Love or Hate?” style, and will write most likely a few short lines, maybe a paragraph in some instances about the album. Just basic stuff. In some cases, this may expand out a little but it most it will just be a line or two. Maybe. Also, some categories are going or being merged. Things like “favourite track(s)” will now be redundant, as you'll be able to see from the track listing what I thought of each one. I'm getting rid of “Initial impression” too, and the ratings will be moved to the end instead of being the first thing you see. Also, although this was originally conceived to only deal with albums I had not heard before, I will now also feature some I know, on occasion, but may either not have heard for a while or may only have listened to once or twice. Actually, you know what? I'm removing all restrictions on albums reviewed here: if I've heard it before, reviewed it before even, if it's part of The Great Discography Project or has appeared in another journal or thread, or is due to, don't care. I may look at it here too. Anything is up for grabs. Taking the Hum Factor out too, as it's really unimportant to how good or bad an album is.


Artiste: Casting Crowns
Nationality: American
Album: Come to the Well
Year: 2011
Label: Beach Street/Reunion
Genre: Christian Rock
Tracks:
Courageous
City on the hill
Jesus, friend of sinners
Already there
The well
Spirit wind
Just another birthday

Wedding day
Angel
My own worst enemy
Face down
So far to find you

Chronological position: Fifth album
Familiarity: Zero
Comments: You know, I could go on smugly about how this is sub-country mixed with pop/rock and a large slice of Christian worship, but who the fuck cares? If you can put aside the overtly religious messages in the songs (which you should have expected anyway if you had done your research before beginning to listen to this) then you can enjoy this on its own merits. In places, nowhere near as preachy as I had expected, and the songwriting is good. Kind of reminds me of if Bon Jovi did Christian Rock. If that makes your blood run cold, move along; I like most of this. It is a little embarrassing when they try to “rock out” on “My own worst enemy” though.
Intention: I reckon I'll check out more of their material. Who cares if they're part of the God Squad? I listen to (some) Black Metal but don't venerate Satan. This is decent music.

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Old 01-16-2017, 10:43 AM   #282 (permalink)
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Quote:
Originally Posted by Trollheart View Post
Kind of reminds me of if Bon Jovi did Christian Rock.
*projectile vomits onto computer monitor*
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I'm not even mad. Seriously I'm not. You're a good dude, and I think and hope you'll become something good
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Old 01-16-2017, 10:53 AM   #283 (permalink)
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Quote:
Originally Posted by Qwertyy View Post
*projectile vomits onto computer monitor*
Quiet, you.
On we go...



Artiste: Val Tvoar
Nationality: Estonian
Album: In Light You Believe ... But In Darkness You Dwell
Year: 2016
Label: Independent
Genre: Stoner Metal/Stoner Rock
Tracks:
Metal of instru
The wizard named Goodbad
There's no tomorrow
Mind reader, the shadow
The last dance
I am you
Three shovels of dirt

The night when everything went wrong and you shot me down
Dark side of mine
REbornCYCLE

Chronological position: Debut album
Familiarity: Zero
Comments: Of all the Estonian artists I've ever heard, this guy is the first. With a title like that I was expecting Doom or even Depressive Black Metal, but no. I'd have to say, we're five tracks in now and I haven't really heard anything that blows me away. It's all very competent rock, and tracks like “The wizard called Goodbad” (which basically serves as the title track) and “The last dance” stand out, as well as “The night when everything went wrong and you shot me down”, one of the heaviest on the album. But most of it is, well, all I could call it is competent really. That's not fair: it's probably great, and the guy will probably be a big star this time next year, but I just don't see much to get overly excited about personally.
Intention: I'm not that sure I'd be interested in a follow-up, but I might listen to it.

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Old 01-16-2017, 11:15 AM   #284 (permalink)
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Artiste: Captains of Sea and War
Nationality: Spanish
Album: Captains of Sea and War
Year: 2014
Label: None
Genre: Post rock/Prog rock
Tracks:
Call again
Kurtz

Aboard
You need to restart
Far
Zittersheim
Five times the sea
East

Chronological position: Debut album
Familiarity: Zero
Comments: It's an odd one this. Very good post-rock but there is some singing, which I find a little odd: I always thought post-rock was exclusively instrumental? We don't hear it again until the fifth track, “Far”, by which time it really takes me by surprise, Some good stuff in here though. It's good but as ever it's hard to pin down reasons why it's good, or if it really is that great. Definitely, the addition of occasional vocals is different, and makes the band at least stand out from the hundreds of other post-rock outfits out there.
Intention: I'm not really sure. Might check out their other release, but I don't feel particularly compelled to.

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Old 01-21-2017, 12:55 PM   #285 (permalink)
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Artiste: Low
Nationality: American
Album: I Could Live In Hope
Year: 1994
Label: Vernon Yard
Genre: Slowcore
Tracks:
Words
Fear

Cut
Slide
Lazy
Lullaby
Sea
Down
Drag

Rope
Sunshine
Chronological position: Debut album
Familiarity: Ones and Sixes
Comments: Don't think I've seen an album before that had one-word titles for every song. Oddly, having downloaded all of Low's discography after listening to and enjoying Ones and Sixes, I chose this one at random, and it turns out to be their debut. Apparently this was one of the albums that helped create the genre of slowcore. Well I can see why it's called that. Very laidback, very relaxed, very downbeat, though at times a little dreary, like on “Rope” and “Cut” but at other times quite breathtakingly beautiful, as on “lullaby” and “Slide”. The cover of “You are my only sunshine” (shortened just to “sunshine”) as the closer is clever and unexpected.
Intention: I'll keep exploring this band. Reckon I'll like them.

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Old 01-21-2017, 01:02 PM   #286 (permalink)
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Artiste: If These Trees Could Talk
Nationality: American
Album: Above the Earth, Below the Sky
Year: 2009
Label: Metal Blade
Genre: Post rock
Tracks:
From roots to needles
What's in the ground belongs to you
Terra incognita
Above the Earth
Below the sky
The sun is in the north
Thirty-six silos
The flames of Herostratus
Rebuilding the temple of Artemis
Deus ex machina

Chronological position: Debut album
Familiarity: Zero
Comments: What can you say about post-rock? I understand how Ki finds it hard to express why certain post-rock albums appeal to him. This is good, strong guitar-driven post rock, but then, isn't most of this genre? Is there anything different about it? Does it stand out from its fellows? No. Does that make it any less good an album? No, but it makes it hard to pin down exactly why I like this. But I do.
Intention: Meh, post-rock is as post-rock does, ya know? I'd probably not avoid their next album, but I wouldn't go actively seeking it out either.

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Old 01-21-2017, 01:05 PM   #287 (permalink)
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Artiste: Pallbearer
Nationality: American
Album: Sorrow and Extinction
Year: 2012
Label: Profound Lore
Genre: Doom Metal
Tracks:
Foreigner
Devoid of redemption
The legend
An offering of grief

Given to the grave
Chronological position: Debut album
Familiarity: Foundations of Burden
Comments: Not really a lot to say. Another brilliant doom metal album, hard to pick out any favourites because they're all good, though the closer is something pretty special.
Intention: They have a new one out this year. Need to check that out.

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Old 01-21-2017, 01:09 PM   #288 (permalink)
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I've tried a few times to get into Pallbearer. They're similar to Baroness for me where they're not exactly bad, but they're just uninteresting and fail to make an impression on me. I might try that album and see if that still fits.
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Old 01-28-2017, 10:34 AM   #289 (permalink)
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Artiste: Vaults
Nationality: British
Album: Caught in Still Life
Year: 2016
Label: EMI
Genre: Electronica
Tracks:
Cry no more
Premonitions
Midnight river
One last night

Poison
Paradise
Bodies

Hurricane
Overcome
Lifespan
Orphan
Bloodflow
One day I'll fly away
Chronological position:Debut album
Rank: n/a
Comments: This is a pretty good synthpop/electronica debut, sort of reminds me of a slower, more downtempo version of Chvrches. Maybe. My attention was piqued with “Poison”; up to that it had been okay, but after that the album just got more and more solid and interesting. The cello accompaniment to “Orphan” is haunting and beautiful. Do a good version of Randy Crawford's “One day I'll fly away”, too. Great orchestral arrangement. Superb.
Intention: Watch them: they will be big in 2017. Seems their videos already gained twenty million views before the album was released! Sounds hard to believe. Or not.

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Old 02-17-2017, 03:22 PM   #290 (permalink)
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Artiste: Annie Lennox
Nationality: British
Album: Bare
Year: 2003
Label: RCA
Genre: Pop
Tracks:
A thousand beautiful things
Pavement cracks
The hurting time
Honestly
Wonderful
Bitter pill
Loneliness
The saddest song I've got
Erased
Twisted
Oh God (Prayer)

Chronological position: Third album
Rank: Novice
Comments: “Pavement cracks” starts like a ballad but quickly acquires teeth and a beat, and surely that's Stevie Wonder on the smoking sultry harmonica on “The hurting time”? She certainly channels Karen Carpenter on “Wonderful”. The exuberant soul swagger of “Bitter pill” contrasts sharply with the fragile vulnerability of “The saddest song I've got”.
Intention: I think I'd like to hear more of this.

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