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#1 (permalink) |
16, so?
Join Date: Jan 2009
Location: South Africa
Posts: 630
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Album: 1. Dire Straits – On Every Street
Year: 1991 Genre: Rock Although most people recognise Dire Straits with ‘Sultans of Swing’ or “Brothers in Arms,’ the fairly under-appreciated final album is definitely one for the music collection. Mark Knopfler is as always on top form, his slick riffs and laid-back vocals are a mainstay throughout his career and this album was no exception. The band supported him well in creating some really chilled songs which are great to hear anytime of day. The only draw back to this album is knowing that when it is finished, there are no more Dire Straits albums waiting in the pipeline. Highlight: On Every Street Album: 2. Annihilator – Alice In Hell Year: 1989 Genre: Thrash Metal When people hear thrash metal, we automatically think: Slayer, Metallica, Anthrax and Megadeath, me included. Although they are the 4 major bands, thrash metal evolved all over the planet from far-off Germany to Brazil. Canadian band ‘Annihilator’ released this, their debut album, in 1989 and to this day it is regarded as a great album for thrash metal. Now you don’t just want some dude shredding all day with no proficiency, lots of people can play fast, but the guitar work on this album is amazing. It is lightning-quick, in-your face and technical as all hell. Mixed in with the odd high-pitched squeal and the occurrence of a classical guitar, it makes for great listening. ‘Alice in Hell,’ is definitely a good album for anyone wanting to explore thrash metal a bit with no prior knowledge of it. Highlight: Alison Hell Album: 3. Burning Spear - Farover Year: 1982 Genre: Roots Reggae My first delve into reggae started just over a month ago, thanks to the sticky in the Reaggae/Ska section of MB, and was it a great decision? Hell yes. Although this album was not on the lists of essential albums, it was the only one of Burning Spear’s albums I could come across. Heavily influenced by Marcus Garvey (Title of his most well known album) and a certain Bob Marley, you are guaranteed for an album full of passion, determination, and various other emotions which depend on the listeners interpretations. (Definitely worth reading up on both of those men) The passion behind his music and the message he is trying to get across is a great feat in itself, along with some catchy rhythms, deep Jamaican chants and a cd player, you are set for a treat. Another great trait of this album, and most reggae is that it depends on how you interpret the music, do you feel pity for the people? Do you praise them for standing up for what they believe is right? Do you not look any further than the actual beat itself? It is up to you… Highlight: Farover |
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#2 (permalink) |
16, so?
Join Date: Jan 2009
Location: South Africa
Posts: 630
|
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John Butler Trio - Ocean
I would love to give you guys a nice little review on this song so you could get a background on it, but I am too lost for words at the moment to function after listening to this song for the past hour or so on repeat. For more info on this Australian jam band, visit their official site. That is about all I can recall about them at this point of time. Enjoy! |
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#3 (permalink) |
16, so?
Join Date: Jan 2009
Location: South Africa
Posts: 630
|
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Album: 1. Yazoo – Upstairs At Erics
Year: 1982 Genre: Synthpop By 2009, I am sure that most people and their mothers have heard of the 80’s synthpop duo of Alison Moyet and Vince Clarke, collectively known as Yazoo. Although they were short lived, only realising two albums, this being the debut, they have had a major effect on modern pop scenes and the billboards of the early 80’s. This album is the lesser in popularity which really baffles me because it contains some really splendid tracks such as ‘Only You,’ ‘Goodbye 70’s’ and ‘Don’t Go.’ If you are looking for crazy guitar solos, or crunching drum pieces, go elsewhere but for anyone who hasn’t heard this album before and wants some catchy synth beats and easy-listening vocals, you can’t go wrong. Highlight: Don’t Go Album: 2. Leonard Cohen – Songs of Leonard Cohen Year: 1968 Genre: Folk A collaboration of Cohen’s vocals, mastered poetic lyrics and the reality of the music make this arguably one of the most powerful albums I have ever listened too. Categorised as folk, is almost an injustice as it was not related to any folk movements or societies, rather just a singer/songwriter with a love for poetry and a will to slay people with his voice. Highlight: Suzanne Album: 3. The Darkness – Permission To Land Year: 2003 Genre: Glam Rock To begin, this is a strange inclusion as this album is not going to appeal for many but I have my reasons for including it. This was The Darkness’s debut album, and their best in my opinion, although they gained much success on the charts, their music is still something that would sound quite ‘new’ to most, and they definitely do have a strange sound. From their OTT performances, the thought of a 21st century glam rock band and Dawkins’s raging falsetto voice, this album is either hit or miss, you either love it or hate it. No in-betweens. Highlight: Friday Night |
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#4 (permalink) |
why bother?
Join Date: Sep 2008
Location: UK
Posts: 4,840
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Some interesting albums you've highlighted here. With the exception of the Darkness (really can't stand them I'm afraid), there are some names I should investigate a little further. Oddly enough, I don't actually have that Burning Spear album myself, so I'll definitely track that one down soon enough. Good call on Songs Of Leonard Cohen too - you've just reminded me that I need to update my discography thread on him very soon, so cheers for that
![]() Just gonna download that Prime Circle taster now. I'll post back and let you know what I think of them. |
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#5 (permalink) | |
16, so?
Join Date: Jan 2009
Location: South Africa
Posts: 630
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![]() Quote:
If it is going to be anything like Costello's thread, it should be damn good and you should definitely get that thread going. Cheers. |
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#6 (permalink) |
16, so?
Join Date: Jan 2009
Location: South Africa
Posts: 630
|
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Album: 1. Lou Reed - Transformer
Year: 1972 Genre: Rock/Glam-Rock After his debut S/T album that was a commercial failure to most people, Reed released this peach of an album, Transformer. I know that it is arguably his most well-known album, and that most people already have it, and generally love it, this shout out is for the people that have never been blessed with the solo work of the ex-Velvet Underground guitarist and singer. The album is a fine example of what Reed brought to VU and why they were such a success, such a talented guitarist and vocalist, although it could be argued that the drugs could have been the main contributors. Some of the songs such “Andy’s Chest” and “Satellite Of Love” were either released or linked to his VU days in some way, but sometimes branching away from the popish sounds, to a more adagio based set of songs/ballads. As well as Lou Reed, musicians such as David Bowie and Mick Ronson were involved in the project. Honestly, what is there to not look forward to? Highlight: Satellite of Love Album: 2. Damian Marley – Welcome To Jamrock Year: 2005 Genre: Reggae When I come to think of it, if your surname was Marley, and you had a father named Bob, you were blessed with some pretty spectacular genes. Damian is one of the many Marley’s, who have been a driving force in the reggae scene for the past 50+ years. Revolving around the regular topics of poverty and politics, this album is not on passion or lyrical insight. The most recognisable aspect to Damian and how you could tell him apart from his many siblings, is the use of the vocal technique of “toasting,” which in a nut-shell is when the artist either speaks or chants the lyrics over the beat or music. It may have been un-intentional at the time, but this album is almost foreshadowing his new release with Nas. This ranks right up their as one of the finer reggae albums I have heard, and you should too and if you think that he has a free-ride because of his father, you will be very surprised. Highlight: Welcome to Jamrock Album: 3. A Silver Mt. Zion - He Has Left Us Alone but Shafts of Light Sometimes Grace the Corner of Our Rooms… Year: 2000 Genre: Post-Rock/Experimental Rock The debut album from the ever changing band which for this album was called A Silver Mt Zion… What a debut it was. It is predominantly an instrumental album, which lyrics/vocals only appearing on two of the tracks, which really showcased musicians in their zone. The whole album is a concoction of delightful sounds ranging from soothing piano to violin to clarinet, which makes up for the lack of vocals. I would compare it to records such as, “GY!BE – Lift Your Skinny Fists…” or “Maudlin Of The Well – Part The Second.” Although it shows characterises of these albums, it does not mimic, or sound boring even to someone who has listened to both of them more than 20 times, which definitely shows that their originality and zest. (On a side note this album is challenging the top 3 spots for album of the decade personally. Behind the two mentioned above and The White Stripes – Elephant.) Highlight: Blown-out Joy from Heaven's Mercied Hole |
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