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Oscars 2018
Nominations are out. Discuss, criticize, predict, fawn over, or fight about the nominations here.
Full List of 2018 Oscar Nominations – Variety Best Picture: “Call Me by Your Name” “Darkest Hour” “Dunkirk” “Get Out” “Lady Bird” “Phantom Thread” “The Post” “The Shape of Water” “Three Billboards Outside Ebbing, Missouri” Lead Actor: Timothée Chalamet, “Call Me by Your Name” Daniel Day-Lewis, “Phantom Thread” Daniel Kaluuya, “Get Out” Gary Oldman, “Darkest Hour” Denzel Washington, “Roman J. Israel, Esq.” Lead Actress: Sally Hawkins, “The Shape of Water” Frances McDormand, “Three Billboards Outside Ebbing, Missouri” Margot Robbie, “I, Tonya” Saoirse Ronan, “Lady Bird” Meryl Streep, “The Post” Supporting Actor: Willem Dafoe, “The Florida Project” Woody Harrelson, “Three Billboards Outside Ebbing, Missouri” Richard Jenkins, “The Shape of Water” Christopher Plummer, “All the Money in the World” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri” Supporting Actress: Mary J. Blige, “Mudbound” Allison Janney, “I, Tonya” Lesley Manville, “Phantom Thread” Laurie Metcalf, “Lady Bird” Octavia Spencer, “The Shape of Water” Director: “Dunkirk,” Christopher Nolan “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “Phantom Thread,” Paul Thomas Anderson “The Shape of Water,” Guillermo del Toro Animated Feature: “The Boss Baby,” Tom McGrath, Ramsey Ann Naito “The Breadwinner,” Nora Twomey, Anthony Leo “Coco,” Lee Unkrich, Darla K. Anderson “Ferdinand,” Carlos Saldanha “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman Animated Short: “Dear Basketball,” Glen Keane, Kobe Bryant “Garden Party,” Victor Caire, Gabriel Grapperon “Lou,” Dave Mullins, Dana Murray “Negative Space,” Max Porter, Ru Kuwahata “Revolting Rhymes,” Jakob Schuh, Jan Lachauer Adapted Screenplay: “Call Me by Your Name,” James Ivory “The Disaster Artist,” Scott Neustadter & Michael H. Weber “Logan,” Scott Frank & James Mangold and Michael Green “Molly’s Game,” Aaron Sorkin “Mudbound,” Virgil Williams and Dee Rees Original Screenplay: “The Big Sick,” Emily V. Gordon & Kumail Nanjiani “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “The Shape of Water,” Guillermo del Toro, Vanessa Taylor “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh Cinematography: “Blade Runner 2049,” Roger Deakins “Darkest Hour,” Bruno Delbonnel “Dunkirk,” Hoyte van Hoytema “Mudbound,” Rachel Morrison “The Shape of Water,” Dan Laustsen Best Documentary Feature: “Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman “Faces Places,” JR, Agnès Varda, Rosalie Varda “Icarus,” Bryan Fogel, Dan Cogan “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen “Strong Island,” Yance Ford, Joslyn Barnes Best Documentary Short Subject: “Edith+Eddie,” Laura Checkoway, Thomas Lee Wright “Heaven is a Traffic Jam on the 405,” Frank Stiefel “Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon “Knife Skills,” Thomas Lennon “Traffic Stop,” Kate Davis, David Heilbroner Best Live Action Short Film: “DeKalb Elementary,” Reed Van Dyk “The Eleven O’Clock,” Derin Seale, Josh Lawson “My Nephew Emmett,” Kevin Wilson, Jr. “The Silent Child,” Chris Overton, Rachel Shenton “Watu Wote/All of Us,” Katja Benrath, Tobias Rosen Best Foreign Language Film: “A Fantastic Woman” (Chile) “The Insult” (Lebanon) “Loveless” (Russia) “On Body and Soul (Hungary) “The Square” (Sweden) Film Editing: “Baby Driver,” Jonathan Amos, Paul Machliss “Dunkirk,” Lee Smith “I, Tonya,” Tatiana S. Riegel “The Shape of Water,” Sidney Wolinsky “Three Billboards Outside Ebbing, Missouri,” Jon Gregory Sound Editing: “Baby Driver,” Julian Slater “Blade Runner 2049,” Mark Mangini, Theo Green “Dunkirk,” Alex Gibson, Richard King “The Shape of Water,” Nathan Robitaille, Nelson Ferreira “Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood Sound Mixing: “Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin “Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo “The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern “Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick Production Design: “Beauty and the Beast,” Sarah Greenwood; Katie Spencer “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola “Darkest Hour,” Sarah Greenwood, Katie Spencer “Dunkirk,” Nathan Crowley, Gary Fettis “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau Original Score: “Dunkirk,” Hans Zimmer “Phantom Thread,” Jonny Greenwood “The Shape of Water,” Alexandre Desplat “Star Wars: The Last Jedi,” John Williams “Three Billboards Outside Ebbing, Missouri,” Carter Burwell Original Song: “Mighty River” from “Mudbound,” Mary J. Blige “Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez “Stand Up for Something” from “Marshall,” Diane Warren, Common “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul Makeup and Hair: “Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick “Victoria and Abdul,” Daniel Phillips and Lou Sheppard “Wonder,” Arjen Tuiten Costume Design: “Beauty and the Beast,” Jacqueline Durran “Darkest Hour,” Jacqueline Durran “Phantom Thread,” Mark Bridges “The Shape of Water,” Luis Sequeira “Victoria and Abdul,” Consolata Boyle Visual Effects: “Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer “Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick “Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus “Star Wars: The Last Jedi,” Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist |
1 more for frances and daniel
also sam rockwell better win best supporting actor, if the outrage over his last win actually prevents this from happening i will think even less of these stupid award shows. |
Get Out's gonna win best picture because #Oscarssowhite
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it shouldn’t win anything because while it’s pretty good, it’s definitely not oscar worthy.
does that make me racist #qwertyysowhite |
That would be pretty funny though wouldn't it.
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The Shape of Water is the only one I've seen out of those :c
I do think Sally Hawkins ought to win something though. |
Oldman finally gets his due this year.
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Lol the irony.
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Which one's the biographical period drama about someone black/gay/female?
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Why are there different categories for best actor and best actress? Sexist as **** imo.
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love the Holy Mountain avatar :love:
personally i think these three categories are shoe ins Three Billboards for best picture.....because it seriously was Sam Rockwell for best supporting.....anybody bitching about him playing a racist either has not seen the film or is a fucking moron and did not understand the purpose of the film....and really he was more of an all around moronic ******* Allison Janney for best supporting.....she was amazing. |
im with ya, coincidentally i saw three billboards three times in theaters. and yes i cried all 3 times.
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Dunkirk deserves one for cinematography, imo. |
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Is there any value in watching Dunkirke if I've already seen more than 5 war movies in my life?
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#downwithfilm
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but it’s war movie directed by nolan so imma pass |
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We are both very cool and edgy. |
It's not your typical war movie in that there's no cheesy story; the only objective is to put the viewer right in the midst of the action. The main character barely speaks. I actually think you guys would enjoy it.
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his performance was 10/10 and he deserves every award he’s nominated for btw
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I just watched Three Billboards and didn't really like it, but that's still a retarded reason to not give the man an oscar/not want him to win an oscar.
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you’re retarded for not liking it how about that
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The only person whose opinions on movies I take seriously are my own.
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Well you should reconsider that because you're missing the character development for the non-traditional ending. At least that's what I assume.
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I'd say open endings are rather commonplace now, especially to people who watch every kind of movie. I doubt I would change my opinion just based on reading the ending or any single character in the movie differently.
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It does sound like you missed the character development and realism in a big way though. Have you been hanging out with that sister of yours?
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It was based on what you said in the film thread about disliking the main character's actions. But ja you're wrong mate. It's at the very least an 8/10 (I'd say 9).
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Well I didn't even know you'd read that. My read of the main character isn't even my main beef though. That was more of a side observation.
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Oh ok. Still if you landed on less than an 8/10 then you need to watch it without the hype glasses because you'll see that it really is a great film.
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There's always the chance that I will catch it again in a few years. I've changed opinions about movies countless times before (although mostly for the worse).
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