Mojo

Actually Seinfeld had a knack of having a seperate plot and story for each character that somehow would end up crossing over into one another by the end of an episode. And George Costanza was all about karma. There is an episode of Curb where Larry feels like when he does bad things, good things to happen to him and vice-versa, before it ultimately kicks him in the face. This is basically just taking what he did with George first, who was the character he wrote very close to himself in real life.

__________________

Last.FM | Echoes and Dust