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Old 01-23-2009, 01:26 PM   #111 (permalink)
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I liked the start of Funny Games but the most painful thing was the director shooting himself in the foot. It got too self aware all too sudden and totally ruined the feel of the movie. The build-up was great and the actual delivery was ok but then it just got too 'meh' in the end.

The remake? Well that's just a bag of unnecessary fail. No respect for any director who who remake a movie shot for shot (*cough* Gus van Sant) but to do your own?

The remake was only saved complete disgrace by having Watts and Roth in.
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Old 01-23-2009, 01:48 PM   #112 (permalink)
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Originally Posted by ToeAndno View Post
I liked the start of Funny Games but the most painful thing was the director shooting himself in the foot. It got too self aware all too sudden and totally ruined the feel of the movie. The build-up was great and the actual delivery was ok but then it just got too 'meh' in the end.

The remake? Well that's just a bag of unnecessary fail. No respect for any director who who remake a movie shot for shot (*cough* Gus van Sant) but to do your own?

The remake was only saved complete disgrace by having Watts and Roth in.
He wanted to try and direct in America and have total control so that's why it was remade. Basically for those too lazy to check out the original. He hated the experience and has vowed not to work over there again. The film does become too self aware but it's a fantastic dynamic that he creates. Have you seen 'Hidden'. That's another film that messes with your mind.
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Old 01-23-2009, 01:52 PM   #113 (permalink)
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He wanted to try and direct in America and have total control so that's why it was remade. Basically for those too lazy to check out the original. He hated the experience and has vowed not to work over there again. The film does become too self aware but it's a fantastic dynamic that he creates. Have you seen 'Hidden'. That's another film that messes with your mind.
the French one? For the life of me I can't remember what happens in the end but the build-up was definitely a headf*ck. And Juliette Binoche
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Old 01-23-2009, 01:58 PM   #114 (permalink)
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Yeah AKA Cache. That had another famous WTF moments from haneke. I'm with you on Binnoche!
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Old 01-30-2009, 12:10 PM   #115 (permalink)
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Santa Sangre 1989 Dir. Alejandro Jodorowsky


Jodorowsky's only horror film (although that is a very loose tag) is a heady blend of surrealism, outrageous violence (although there are only three deaths in the film) and stunning visuals to create a film so unique, it is difficult to compare it to anything else.

The plot is something that I am not going to delve into because although it does follow a linear narrative upon the films climax, whilst watching it seems anything BUT linear. This is where the films power lies. This is art transmorphed into a genre that is generally frowned upon. The film proves that you can throw many fantastic ideas into the mix via imagery and suggestion to dupe you into thinking you are watching a 70's arthouse film with nods to Freud, Jung and Bunell.

This is not to say that just because it is so unique, I should immediately extoll it's virtues. It is usually these trappings that can turn me away from a film. I dislike surrealism and obscure imagery just for the sake of it. However once you begin to watch Santa Sangre you are drawn ionto this world of circus performers, grotesque characters and the films remarkable ability to flash backwards and forwards in time and still remain coherent.

I really do believe that films such as this should be used in film studies as an exercise in bravado and intelligence. once seen, never forgotten.
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Old 01-30-2009, 12:13 PM   #116 (permalink)
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I've only seen Santa Sangre once, quite a long time ago now, but it is one of those movies that really stick with you. It's amazing, disturbing, beautiful and really unlike any other movie I've ever seen. Nice pick!
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Old 01-30-2009, 06:01 PM   #117 (permalink)
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[QUOTE=jackhammer;587869]
Santa Sangre 1989 Dir. Alejandro Jodorowsky





A great film from one of my favorite directors.

Btw, Jack could you review "Don't Look Now'' next? It's my favorite horror film.
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Old 01-30-2009, 06:05 PM   #118 (permalink)
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Maybe
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Old 01-30-2009, 06:41 PM   #119 (permalink)
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Wow, great thread .. Why haven't I checked out this before? I used to watch so many horror movies back in the days .. before I ended up with my current GF.

Like you, I often I like both the good and bad. Even stuff like the 80s remake of The Blob and Re-Animator 2 (Bride of Re-Animator). Great reviews!
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Old 02-16-2009, 06:25 PM   #120 (permalink)
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Near Dark (1987) Dir. Kathryn Bigelow


The best vampire movie you have never seen? Possibly. Definitely one of the most unique and leftfield vampire movies out there. The 80's saw a revival in the vampire movie with both 'The Hunger' and 'The Lost Boys' both putting a new spin on the tried and tested myth. Their downfall? They both look dated in terms of asthetics. This is where Near Dark triumphs. It has barely changed in over 20 years.

Near Dark succeeds on it's admirable lack of uneccessary exposition. The vampire condition is barely hinted at and instead we are exposed to the emotional aspect of vampirism- familial bonds, lack of physical love and isolation. It also succeeds with some oustanding visual effects. These are not neccessarily the effects draped in gore but the purely physical effects of sunlight on their bodies (typical vampire myths such as holy water and garlic are non existent in this film).

The film centers around Mae who, along with her 'family' ( a travelling band of amoral and violent vampires) stop off at a small town in Texas. A local man- Caleb is immediatedly smitten and on the star filled night is bitten by her but not 'bled'. Meaning that he could turn. The family has no choice but to adopt him into their clan and try to make him the character he needs to be in order to survive. His personal morals and his undying love for his family create a rift which has to end somehow.

The 'family' is superbly realised and Bill Paxton (Aliens) is simply superb as the psychotic Severen and some of his lines are classics. The bar massacre at 40.00 minutes onwards is a tour de force of jet black comedy and genuine menace.

Many other aspects make this film head and shoulders above many of it's ilk. The superb score by Tangerine Dream. The cinematography and Kathryn Bigelow's direction, which adds a little tenderness and pathos to the proceedings.

There is not a lot of gore in this film as it works on atmosphere and menace. It is all the more better for it. A classic film that has a little sweet centre running through it. Here is the (dated) trailer. I have the soundtrack too if anyone is interested

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