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Old 07-07-2010, 12:02 AM   #7041 (permalink)
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Not so bad and decently funny. Basically, it was entertaining...
Yeah I was quite surprised with this film. One of my flatmates dragged me along to it and I was like oh god this looks terrible... but it was surprisingly quite funny. For what it was, it was entertaining.
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Old 07-07-2010, 12:38 PM   #7042 (permalink)
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Reminded myself how awesome this one is. Such a lazy ending, but otherwise one of the best of its ilk without a doubt.



Revisited this one earlier today as well. Goes to show that all you need to make a great film is an intelligent, witty script and two terrific leading performances.
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Old 07-07-2010, 12:55 PM   #7043 (permalink)
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Yes, Mulholland Dr. is very similar in the set up. These same themes of switched, morphing, shared identities, alienation, reality within reality within reality..., and a devilish side of Hollywood and film industry will reach the wildest and most schizophrenic levels in INLAND EMPIRE. I saw that film only once and I have a feeling I will have to watch it many times before I figure out what exactly is going on. But it was magnetic to watch, nonetheless.

Spoiler for Lost Highway:
You mentioned characters morphing in the second part of the film. Well, towards the end Fred's reality finally takes over. It happened after Pete made love to Alice. She told him that he can never have her. That's when Pete disappeared and Fred appeared, meaning he 'woke up'. Her words have ambiguous meaning - He can't have her because she's not real, or because he killed her (Renee), or because he never did have her (meaning his wife never loved him and was deceptive) and that's why he killed her. That's a rather cruel slap on the face of someone who wants to forget. Then Mystery Man tells him something like: "Her name is Renee. If she told you her name was Alice, she's lying. And your name? What the fuck is your name?" That's when Fred finally realizes who he is and what he's about to do. He kills Mr. Eddy/Dick Laurent and goes to tell himself that "Dick Laurent is dead", which we heard at the start of the film. Thus this story made a full circle.

That casts a new light on the first part of the film. Was that real, or was it another way for Fred to deceive himself and shift the responsibility for what he did onto Mystery Man. The first part of the film is very sinister and spooky and full of tension, something bad is going to happen or maybe it already happened (as we see on the tapes). I deliberately use past and future tense, because we're not really sure when in the film did he kill his wife, was it in the beginning or the end. But since the story is not linear but circular, and since Lynch plays a lot with time and non-time, it doesn't really matter. The consequences are the same and at least we know that when Fred's in jail, that's real and in present, as in now.
Just realised this "Spoiler option", I've been passing through this post, thinking that the "Show" button is in your signature.
I think I'll have to re-watch the film to fully grasp the explanation, but yeah this seems about as lynchy as could be.
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Old 07-07-2010, 01:38 PM   #7044 (permalink)
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Just realised this "Spoiler option", I've been passing through this post, thinking that the "Show" button is in your signature.
I think I'll have to re-watch the film to fully grasp the explanation, but yeah this seems about as lynchy as could be.
There's another post on previous page in spoiler tags, too, where I tried to answer some CunningStunt questions...So, maybe you'd find it interesting (if you haven't read it already).
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Old 07-07-2010, 01:39 PM   #7045 (permalink)
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Revisited this one earlier today as well. Goes to show that all you need to make a great film is an intelligent, witty script and two terrific leading performances.
Been meaning to watch Before Sunrise/Before Sunset for ages now. I've just never got round to it? Are they both good?
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Old 07-07-2010, 05:03 PM   #7046 (permalink)
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Been meaning to watch Before Sunrise/Before Sunset for ages now. I've just never got round to it? Are they both good?
Yes indeedy! Both great films, although I do have a slight preference for Before Sunset. Not to compare them to the Godfather trilogy, as they're of course nothing alike (or are they ), but like that series they work a lot better if you set aside enough time to watch them both back-to-back.
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Old 07-07-2010, 05:09 PM   #7047 (permalink)
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Yes indeedy! Both great films, although I do have a slight preference for Before Sunset. Not to compare them to the Godfather trilogy, as they're of course nothing alike (or are they ), but like that series they work a lot better if you set aside enough time to watch them both back-to-back.


That sounds like a challenge!

I may however have to watch one per night, unless Before Sunrise is so enticing I feel I must watch the sequel. They seem like romance films that aren't cliché chick flick... Interesting.
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Old 07-07-2010, 05:14 PM   #7048 (permalink)
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12 Angry Men. The original, directed by Sidney Lumet. A brilliant film.
Funny you mention that. I just got that very movie in the mail from Netflix yesterday. I'm really looking forward to seeing it.
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Old 07-07-2010, 05:22 PM   #7049 (permalink)
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[/B]

That sounds like a challenge!

I may however have to watch one per night, unless Before Sunrise is so enticing I feel I must watch the sequel. They seem like romance films that aren't cliché chick flick... Interesting.
Both of them (the sequel in particular) are very dialogue-heavy and don't centre themselves on a lot of action and events at all, so you'll need your attention span turned up to 11! Before Sunset is probably something like 95% dialogue after all.
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Old 07-07-2010, 05:25 PM   #7050 (permalink)
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It sounds like it'll either be wow, what a brilliantly written and well cast film.

Or :snooze:

I'll make sure I'm really in the mood for a film before I watch them both. It won't be tonight, my attention span has gone. I'm in the mood for lolcats, not heavy dialogue.
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