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Old 11-05-2017, 08:04 PM   #20461 (permalink)
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Going on a 90s Oscar winner (movie, actor, or actress) binge. Today was Fargo and Philadelphia.

Both such great films. Fargo has actually aged just a tiny bit. Still classic Coen Bros. Anyone who thinks the accents are overblown just needs to watch a couple of episodes of Making a Murderer.

After Jonathan Demme did Silence of the Lambs he caught a lot of criticisim because of the portrayal of the homosexual character in the film (a lot of people didn't know that he was just following Harris' novel). This was the era when AIDS had hit mainstream media, and lots of folks painted it as a "queer" disease associated only with deviants. Buffalo Bill reinforced that predudice.

Demme's response? Philadelphia. The first major Hollywood motion picture to deal directly with AIDs. Years after its release some say that it did more than anything else to humanize the disease and eliminate a lot of the stereotypes. Really beautiful film with some amazing acting, especially by the two leads. Impossible not to tear up during the final scene backed with Neil Young's Philadelphia.
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Old 11-05-2017, 09:00 PM   #20462 (permalink)
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Going on a 90s Oscar winner (movie, actor, or actress) binge. Today was Fargo and Philadelphia.

Both such great films. Fargo has actually aged just a tiny bit. Still classic Coen Bros. Anyone who thinks the accents are overblown just needs to watch a couple of episodes of Making a Murderer.

After Jonathan Demme did Silence of the Lambs he caught a lot of criticisim because of the portrayal of the homosexual character in the film (a lot of people didn't know that he was just following Harris' novel). This was the era when AIDS had hit mainstream media, and lots of folks painted it as a "queer" disease associated only with deviants. Buffalo Bill reinforced that predudice.

Demme's response? Philadelphia. The first major Hollywood motion picture to deal directly with AIDs. Years after its release some say that it did more than anything else to humanize the disease and eliminate a lot of the stereotypes. Really beautiful film with some amazing acting, especially by the two leads. Impossible not to tear up during the final scene backed with Neil Young's Philadelphia.
I like both movies, but Philadelphia has aged way, way, way more noticeably than Fargo.
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Old 11-05-2017, 09:10 PM   #20463 (permalink)
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I like both movies, but Philadelphia has aged way, way, way more noticeably than Fargo.
Oh, agreed. I just thought that Fargo would never show signs of it.
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Old 11-05-2017, 09:15 PM   #20464 (permalink)
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Fargo and The Shining are movies that I could throw on any time of the day. What about it do you think is dated? I don't exactly disagree, just curious.
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Old 11-05-2017, 09:24 PM   #20465 (permalink)
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Hard to describe. Not dated in a calendar sense. More-so in a Coen bros sense. They just keep getting better and better. With stuff like Fargo, Raising Arizona, and The Big Lebowski, it's pretty easy to see their fingerprints.

Fast forward to No Country and True Grit. They've refined their work to the point that it's hard to quickly identify them - which I think is a good thing.

I also could watch Fargo once a week for life.
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Old 11-06-2017, 03:58 AM   #20466 (permalink)
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Don't undersell them, old Polish movie posters are amazing. So many are really unique and creative. I used to have the Sunset Boulevard one as my avatar here.
Underselling wasn't the plan, it's just... well, this:


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Old 11-06-2017, 05:15 AM   #20467 (permalink)
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lol
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Old 11-06-2017, 10:11 AM   #20468 (permalink)
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oh ****, Killing of a Sacred Deer is out.

@Frownland @Exo @anyone who i've seen talking about Yorgos Lanthimos films

you better go see it.

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Old 11-10-2017, 11:10 PM   #20469 (permalink)
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The Hateful Eight.

Tarantino doing what Tarantino does best. Only this time it's a period piece.

Old stalwarts Samuel L. Jackson and Tim Roth are on board along with a bunch of Tarantino first timers (as far as I know)

Tons of overacting by all involved - in classic Tarantino fashion - but the standout for me was Jennifer Jason Leigh.

She doesn't have many lines for the first 3/4ths of the film but each one is priceless. And her facial expressions and reactionary mannerisms are pure gold.

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Old 11-10-2017, 11:12 PM   #20470 (permalink)
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Is it just me, or did it really feel like Tim Roth was trying to be Christoph Waltz the entire film?
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