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11-19-2015, 11:53 AM | #15731 (permalink) |
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Definitely. Especially since most of it is against women. And the scenes are drawn out enough to make you really squirm.
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“The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.” |
11-19-2015, 11:56 AM | #15732 (permalink) | |
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Have you seen The Man from Nowhere? Maybe my favorite SK movie in that genre.
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“The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.” |
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11-19-2015, 01:03 PM | #15734 (permalink) |
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Internal Affairs is another really good one. The Departed is a remake of it and Scorcese stayed pretty faithful to IA in a lot of areas.
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“The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.” |
11-19-2015, 02:42 PM | #15736 (permalink) | |
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Have you seen 'A Bittersweet Life'? I think I recced it to you ages ago. Pretty awesome korean revenge thriller. You'll love it.
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11-19-2015, 11:25 PM | #15737 (permalink) |
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Sadly, the version of The Man From Nowhere that I have is dubbed in English. **** that. I'll save it for another night. Instead, I watched Sympathy For Mr. Vengeance.
It's surreal, melancholic, gory, beautiful. Brilliant. I've thrown up a longer review on Our Feature Presentation, but it might take a while to go up. |
11-21-2015, 09:25 PM | #15739 (permalink) | |||
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Join Date: Feb 2015
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Crimson Peak. It was interesting to see del Toro set a horror picture in the framework of a melodrama. I generally don't expect a horror to have great attention paid to set design, lighting, and character development, but del Toro certainly had each in mind. All that said, the film really wasn't my style; but I seldom opt for contemporary cinema.
Also curious whether any of our members have seen either Colossus: The Forbin Project (1970) or the cinematic adaptation of Bradbury's The Illustrated Man (1969)? Both appear to be right up my alley.
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11-22-2015, 04:58 AM | #15740 (permalink) | |
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