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Old 06-04-2015, 03:29 PM   #15261 (permalink)
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What's with all you people and not liking jump scares? I get preferring more psychological horror, but all these people complaining about jump scares sound like all those same people jumping on the bandwagon to complain about JJ Abrams and his lens flares.
I didn't know there was such a bandwagon.
I just feel that a horror movie that mostly relies on them gets boring and annoying very fast, plus it just isn't as effective as psychological stuff and a cool, creepy atmosphere.
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Old 06-04-2015, 03:30 PM   #15262 (permalink)
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What's with all you people and not liking jump scares? I get preferring more psychological horror, but all these people complaining about jump scares sound like all those same people jumping on the bandwagon to complain about JJ Abrams and his lens flares.
I love a good jump scare, I think Drag Me to Hell is one of the best examples of a good film with those. It's just that many films tend to rely solely on jump scares for their element of horror, so it gets easy to just see them as tired and/or unnecessary.
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Old 06-04-2015, 03:31 PM   #15263 (permalink)
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Ever seen The Changeling with George C. Scott?

Watched The Mazerunner yesterday. Good popcorn flick with one of the worst endings ever.
Not yet. It's on my list, but my list is ridiculously long. Perhaps I should bump it up a notch.
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Old 06-04-2015, 03:34 PM   #15264 (permalink)
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But can we all agree that bitching about lens flares is petty bull****?
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Old 06-04-2015, 03:37 PM   #15265 (permalink)
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But can we all agree that bitching about lens flares is petty bull****?
Yes. Comparing lens flares and jump scares is like comparing synthesizer solos to guitar solos.
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Old 06-04-2015, 03:41 PM   #15266 (permalink)
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Yes. Comparing lens flares and jump scares is like comparing synthesizer solos to guitar solos.
If snooty film snobs were bitching about both synthesizer and guitar solos, then yes, I would agree.
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Old 06-04-2015, 03:43 PM   #15267 (permalink)
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But can we all agree that bitching about lens flares is petty bull****?
Googled it.
Yep, it bull****.

Similar topic: What about movies being blue and orange lately?
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Old 06-04-2015, 03:53 PM   #15268 (permalink)
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Ever seen The Changeling with George C. Scott?
The Changeling is one of my favorite ghost movies
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Old 06-04-2015, 04:27 PM   #15269 (permalink)
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Googled it.
Yep, it bull****.

Similar topic: What about movies being blue and orange lately?
It's this weird trend where genres are color coded. Horror movies seem to have a weird blue tint to them, post-apocalypse movies have a grey washed out look, movies set in desert locations have an orange tint, and ones that question reality have a green tint. It's been around for awhile but O Brother Where Art Thou used digital color correction to give it that old timey sepia tone, and other directors jumped on the technology because it was an easy way to create emotional responses in the audience without having to do any work. Also, blue and orange are on opposite ends of a color wheel so they contrast nicely.

As with jumpscares/ lens flares, they are effective tools in the filmmakers arsenal however they quickly become overused by others trying to replicate the success of a trendsetters film by the most superficial aspects.
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Old 06-04-2015, 04:31 PM   #15270 (permalink)
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It's this weird trend where genres are color coded. Horror movies seem to have a weird blue tint to them, post-apocalypse movies have a grey washed out look, movies set in desert locations have an orange tint, and ones that question reality have a green tint. It's been around for awhile but O Brother Where Art Thou used digital color correction to give it that old timey sepia tone, and other directors jumped on the technology because it was an easy way to create emotional responses in the audience without having to do any work. Also, blue and orange are on opposite ends of a color wheel so they contrast nicely.
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