|
Register | Blogging | Today's Posts | Search |
|
Thread Tools | Display Modes |
02-17-2012, 07:08 AM | #11151 (permalink) | |
Bigger and Better
Join Date: Mar 2008
Location: Texas girl living in the UK
Posts: 2,596
|
Quote:
__________________
Hi. |
|
02-17-2012, 05:47 PM | #11154 (permalink) | |
Ba and Be.
Join Date: May 2007
Location: This Is England
Posts: 17,331
|
Quote:
The first half hour is almost abstract in execution and you question what the hell you are watching but the film's last half is masterful. I bought the film just a few days after watching it. The ending is sublime.
__________________
“A cynic by experience, a romantic by inclination and now a hero by necessity.”
|
|
02-17-2012, 05:48 PM | #11155 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
|
^ I've attempted to start Hunger, but can never get past the past few minutes. But you seem to have good enough taste, jackhammer, so I'll give it another go. Can't hurt to have another art house movie under my belt.
As per my recent film watching, first I watched this Moderator cut: image removed Gaspar Noe's Irreversible I saw this after seeing Noe's (more approachable) Enter the Void, and I have to say that Irreversible is breathtakingly poignant. It holds some of the most brutal and depraved imagery that I have seen in my film-viewing day, only really topped by A Serbian Film. At times I had to turn away from the screen, it was so hard to watch. Noe's middle finger to morality of a plot is wrapped in a brilliant package of beautiful cinematography to counteract the unspeakable actions depicted within the film. With this movie, I was in the same boat that I was in when I first watched Salo or 120 Days of Sodom, where I could not find any way to draw joy from the plot or content of the plot, yet the artistic value of the cinematography and other attributes to the film are impossible to dislike. Overall, this film will definitely be sticking with me for some time. The next film that I watched was a documentary: Moderator cut: image removed Jandek on Corwood This is probably the best documentary that I've seen. In between the interviews, there were passages of voluptuous imagery set to the tune of Jandek's solo acoustic pieces. The entire film held me captivated from start to finish, and what better person to do a documentary than the enigmatic and (at that time) mysterious avant-garde musical figure? Other than the fact that Jandek's stream of tours has tainted a few sections of the interviews and opinions of the interviewees, this film is predominately impeccable.
__________________
Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. Last edited by Frownland; 02-17-2012 at 06:05 PM. |
02-17-2012, 05:54 PM | #11156 (permalink) | |
Ba and Be.
Join Date: May 2007
Location: This Is England
Posts: 17,331
|
Quote:
__________________
“A cynic by experience, a romantic by inclination and now a hero by necessity.”
|
|
02-17-2012, 06:04 PM | #11157 (permalink) | |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
|
Quote:
__________________
Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
|
02-17-2012, 06:35 PM | #11158 (permalink) |
Franchise Player
Join Date: Apr 2011
Posts: 539
|
I try to have an open mind, especially with music and film, but Irreversible (to me) was a pretentious mess. A stagnant (one camera angle mind you) 10 min rape scene that ends with a curb stomping felt seriously contrived to me and served only to shock, not send a nihilistic message. Although, I am curious as to what sort of editing techniques were used in the fire-hydrant-face-smashing scene. Idk how they executed that without any cutaways.
Saw Hunger, and I'm sure I'm going to be thinking about this film for a very long time. The gritty and raw depiction of their treatment made me forget that those men were terrorists (however noble their original intentions might have been). As you mentioned before, Jackhammer, the more "arty" moments I found to be quite cerebral and peaceful...in a ****ed up, emaciated sort of way haha. Fassbender really impressed me with his portrayal of Bobby Sans. Makes me want to check out McQueen's other one Shame all the more. |
|