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02-21-2016, 08:56 PM | #5522 (permalink) | ||
midnite roles around
Join Date: Sep 2015
Location: Raleigh, NC
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YW Fam: All MB Music Projects Under One Roof Emo/Pop Punk Journal Techno Journal Quote:
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02-21-2016, 09:29 PM | #5523 (permalink) |
OQB
Join Date: Mar 2015
Location: Frownland
Posts: 8,831
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I found it was a little too, I don't know, out of place for my taste?
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02-21-2016, 09:31 PM | #5524 (permalink) | ||
midnite roles around
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Location: Raleigh, NC
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You're ignoring the subtleties. The fine details can apply to anyone's life situations, which is the beauty of it.
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02-21-2016, 09:51 PM | #5525 (permalink) |
OQB
Join Date: Mar 2015
Location: Frownland
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I never truly understood what "the bed" was referring to. Who's bed is being layed upon? I always asked myself. Now that you mentioned it though, I do have a bed myself...
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Music Blog / RYM / Last.fm / Qwertyy's Journal of Music Reviews and Other Assorted Ramblings |
03-08-2016, 04:30 PM | #5528 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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Absolutely thrilled with the book Ocean of Sound by David Toop. Just finished a chapter exploring a dream Sun Ra had about buying socks, and the next chapter title was so exciting I had trouble putting it down -
3 scanning: aether talk Ambient in the 1990s; Scanner, John Cage, acid house, disco; AMM; Telepathic Fish, Biosphere Mixmaster Morris, Land of Oz, The Orb, The KLF How much awesome can you cram into one chapter?
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03-20-2016, 01:35 PM | #5530 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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Just finished Ethan Hayden's critical analysis of Sigur Ros' ( ).
Ethan Hayden is a linguistics expert, composer and performer currently pursuing a Ph.D. in music at the University at Buffalo, US. I had the pleasure of attending one of his performances of his work, "…ce dangereux supplément…" in 2015. The work is a set of phonetic studies for voice, video, and electronics in which Hayden makes a wide range of vocal sounds, none of which are coherent expressions of any known language. This made Hayden a fitting author to tackle Sigur Ros' ( ) album for an edition of the popular 33 1/3 book series. The parenthetical album is sung entirely in the nonsense Hopelandic language created by the members of Sigur Ros. So what does one write about an album with no discernible theme or statement? And how would one begin to describe the nonsense sounds of the Hopelandic language? Over the course of 150 pages, Hayden expertly addresses these questions, and presents both a critical analysis of Hopelandic and a philosophical perspective on the recording itself. The book adds a fascinating critical dimension to the album and works like it and it aims to help listeners approach these works with a greater sense of understanding.
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