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Old 08-21-2018, 07:41 PM   #511 (permalink)
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Why?
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Old 08-21-2018, 08:58 PM   #512 (permalink)
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Why?
Because the car crash scene is meant to teach you that for as calculating and controlling we can be as humans that nature, us included within that nature, has a percentage of unpredictable chaos to it that is beyond our control.

The bank robbery scene with Raymond K Hessel is important because the punchline isn't what Tyler says to Raymond K Hessel, it's what he says to the Narrator after Hessel runs off. The fear of Death is what gives characteristic depth to life any actual, real meaning. Without fear of Death, you have fear of the unknown, fear of the unpredictable chaos, a fear that is chilling, but unfamiliar to the senses. However, a fear of Death is immediately known to the senses, and that is what creates the dynamic differences between how people react to the two different kinds of fear.

Society has lost both of these foundations. That is why everyone is shallow, has ulterior motives, and little to no cognitive awareness.

At the main plot twist of the story, once the Narrator discovers his predicament, then and only then is he suddenly for a split second afraid of himself. Yet when he is unaware, his is not afraid of the unknown, only of Death, because that is all his senses know at the time. A sort of cerebral transition seems to happen that makes him aware of what he was previously unaware of and that's when you can feel the weight of it as it all twists and comes together.
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Old 08-21-2018, 09:01 PM   #513 (permalink)
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Because the car crash scene is meant to teach you that for as calculating and controlling we can be as humans that nature, us included within that nature, has a percentage of unpredictable chaos to it that is beyond our control.

The bank robbery scene with Raymond K Hessel is important because the punchline isn't what Tyler says to Raymond K Hessel, it's what he says to the Narrator after Hessel runs off. The fear of Death is what gives characteristic depth to life any actual, real meaning. Without fear of Death, you have fear of the unknown, fear of the unpredictable chaos, a fear that is chilling, but unfamiliar to the senses. However, a fear of Death is immediately known to the senses, and that is what creates the dynamic differences between how people react to the two different kinds of fear.

Society has lost both of these foundations. That is why everyone is shallow, has ulterior motives, and little to no cognitive awareness.

At the main plot twist of the story, once the Narrator discovers his predicament, then and only then is he suddenly for a split second afraid of himself. Yet when he is unaware, his is not afraid of the unknown, only of Death, because that is all his senses know at the time. A sort of cerebral transition seems to happen that makes him aware of what he was previously unaware of and that's when you can feel the weight of it as it all twists and comes together.
Sometimes I feel like a cog in the machine. Is that cognitive awareness?
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Actually, I like you a lot, Nea. That's why I treat you like ****. It's the MB way.

"it counts in our hearts" ?ºº?
“I have nothing to offer anybody, except my own confusion.” Jack Kerouac.
“If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle.
"If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon
"I look for ambiguity when I'm writing because life is ambiguous." Keith Richards
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Old 08-21-2018, 09:04 PM   #514 (permalink)
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Sometimes I feel like a cog in the machine. Is that cognitive awareness?

Thanks. I needed that laugh.
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Old 08-21-2018, 09:09 PM   #515 (permalink)
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Because the car crash scene is meant to teach you...
That's pretty heavy handed.
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Old 08-21-2018, 11:21 PM   #516 (permalink)
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Steak is really ****ing boring.
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Old 08-21-2018, 11:25 PM   #517 (permalink)
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Japan is almost completely uninteresting. The culture is actually quite ugly, and the language is rather unimaginative.
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Old 08-21-2018, 11:48 PM   #518 (permalink)
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Steak is really ****ing boring.
Totally agree.
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Old 08-22-2018, 12:07 AM   #519 (permalink)
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Steak is really ****ing boring.
It all depends on how you treat it.

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Japan is almost completely uninteresting. The culture is actually quite ugly, and the language is rather unimaginative.
I don't know if it is interesting or not but I heard the Japanese massage their cows, give them positive affirmations and whisper sweet nothings in the cows' ear ... that's before slaughtering and eating them. Which I guess could be a real turn off for being massaged by a Japanese woman, cause I mean I don't want them thinking I'm for dinner.
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Actually, I like you a lot, Nea. That's why I treat you like ****. It's the MB way.

"it counts in our hearts" ?ºº?
“I have nothing to offer anybody, except my own confusion.” Jack Kerouac.
“If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle.
"If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon
"I look for ambiguity when I'm writing because life is ambiguous." Keith Richards
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Old 08-22-2018, 04:07 AM   #520 (permalink)
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Steak is really ****ing boring.
Nah, I like it medium rare. I've gotta grill it myself though, it just isn't the same out at a restaurant.

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Japan is almost completely uninteresting. The culture is actually quite ugly, and the language is rather unimaginative.
That's every country, culture, and language. The gist of what you get out of history, social studies, and linguistics is that we humans as a species are particularly good at pissing and ****ting where we sleep and then pointing the finger.
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