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Old 11-19-2016, 01:25 PM   #40641 (permalink)
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Yeah. I didn't even realize I was typing probably cause. But I will call it probably cause from now on.
Probably cause you're stupid.
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There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 11-19-2016, 01:29 PM   #40642 (permalink)
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probable cause you're stupid.
ftfy
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Lucem, you're right, it's silly to talk about what I would or wouldn't do IRL. Glad you brought it up. Maybe you should write an instrumental about it. I recommend a piano paired with a clarinet. With ambient sounds of you hanging from your shower curtain you ****ing failure.

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Old 11-19-2016, 01:44 PM   #40643 (permalink)
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The call was probably cause in itself I think.
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Old 11-19-2016, 05:43 PM   #40644 (permalink)
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I can't wait for this weekend to be over. I miss wifi ��
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Fame, fortune, power, titties. People say these are the most crucial things in life, but you can have a pocket full o' gold and it doesn't mean sh*t if you don't have someone to share that gold with. Seems simple. Yet it's an important lesson to learn. Even lone wolves run in packs sometimes.


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IMO I don't know jack-**** though so don't listen to me.
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The problem is that most police officers in America are psychopaths.
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You're a terrible dictionary.
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Old 11-19-2016, 10:57 PM   #40645 (permalink)
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I've been playing around with screenwriting as a hobby for a while now. In the last month I started to write my first feature-length script. I've got three major characters, each with a complete character arc mapped out from start to finish, and I've got the major events planned, but there's a problem. After putting pen to paper (so to speak), my "feature-length" script is roughly 50 pages. Typically a feature of this nature is more like 120 pages (at ~1 minute per page).

Soooo now I'm like, wha'd I do wrong? Is it possible to get to the point too quickly in a story? Am I destined to write for television rather than film? Am I missing some kind of subplot to resolve in Act II?

I lost the motivation to finish it after realizing there was something fundamentally wrong in my structure and pacing for it to be so short.

Last edited by Paedantic Basterd; 11-19-2016 at 11:05 PM.
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Old 11-19-2016, 11:23 PM   #40646 (permalink)
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So I started a duo with a friend of mine, I write the music, she does the vocals. I'm excited about this, she has such a wonderful voice.



I'm a little concerned she won't like my more experimental approach to music. And if you guys contribute again, I feel like she won't like what you all bring to the table. But should be interesting.
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Old 11-20-2016, 02:53 AM   #40647 (permalink)
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Originally Posted by Paedantic Basterd View Post
I've been playing around with screenwriting as a hobby for a while now. In the last month I started to write my first feature-length script. I've got three major characters, each with a complete character arc mapped out from start to finish, and I've got the major events planned, but there's a problem. After putting pen to paper (so to speak), my "feature-length" script is roughly 50 pages. Typically a feature of this nature is more like 120 pages (at ~1 minute per page).

Soooo now I'm like, wha'd I do wrong? Is it possible to get to the point too quickly in a story? Am I destined to write for television rather than film? Am I missing some kind of subplot to resolve in Act II?

I lost the motivation to finish it after realizing there was something fundamentally wrong in my structure and pacing for it to be so short.
Shoot for films. Don't be discouraged enough to settle for television, (even though some TV is good I suppose) and make great films the rest of your life.
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Old 11-20-2016, 04:19 AM   #40648 (permalink)
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Quote:
Originally Posted by Paedantic Basterd View Post
I've been playing around with screenwriting as a hobby for a while now. In the last month I started to write my first feature-length script. I've got three major characters, each with a complete character arc mapped out from start to finish, and I've got the major events planned, but there's a problem. After putting pen to paper (so to speak), my "feature-length" script is roughly 50 pages. Typically a feature of this nature is more like 120 pages (at ~1 minute per page).

Soooo now I'm like, wha'd I do wrong? Is it possible to get to the point too quickly in a story? Am I destined to write for television rather than film? Am I missing some kind of subplot to resolve in Act II?

I lost the motivation to finish it after realizing there was something fundamentally wrong in my structure and pacing for it to be so short.
Needs either a romantic subplot or a monkey.
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Quote:
Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 11-20-2016, 05:01 AM   #40649 (permalink)
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Needs either a romantic subplot or a monkey.
You can combine those two.
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Old 11-20-2016, 06:15 AM   #40650 (permalink)
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Isnt that what facebook messenger is for?
i dont have many people on facebook anymore and im talking about new people that ive never met.
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