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#4452 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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Gotta know your audience.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#4457 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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We've been letting this kind of **** slide for decades by declaring that the most blatant example of dictatorial monarchies and sponsor of terrorists is our ally.
__________________
Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#4458 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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Spinning TMT's 1971 Stockholm album. RIP. The lack of reporting is a bit of a shame.
__________________
Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#4459 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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I was just this week listening to, Rainforest, a collaboration between Kosugi and David Tudor really recently. It’s not inconceivable that I had it on at the moment of his death.
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2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html |
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#4460 (permalink) |
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Join Date: Aug 2012
Posts: 4,008
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A Kosugi story that has stayed with me:
Forty years ago, I was sitting in my apartment reading my weekly copy of the Village Voice when I came across an ad in the back pages from the Cunningham Dance Co. that was looking for a composer/performer to join their organization. The pay and working/travel conditions and just plain opportunity were better than anything I’d ever dreamed of, but I really had another person in mind who’d be a better, more realistic, candidate when it came to this job - after all, I was only 19 years old. So, I rushed out of my house, newspaper in hand, and ran over to the next block and excitedly rang the doorbell of my friend, composer Jerry Hunt. He, of course, was going to pursue this opportunity and would suggest that, if he were to receive the position, that I would be his assistant - but he also encouraged me to pursue this as well - that I should emphasize the performances I had already done - especially the Fluxus-based ones. I spent the evening crafting the best looking resume with the most pointed aspects of what I felt were my performance/composing strong-points and off it went in the mail to the Cunningham group the next morning. The sad news had arrived when Jerry called a day or two later. The position had already been filled - even before the ad was placed - because it was a necessary aspect of the application for a Green Card for Kosugi. Merce had to show that he had placed an ad for a position and that Kosugi had answered this ad. It was crushing to me and somewhat, cynically expected by Jerry. |
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