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Old 01-24-2018, 06:07 PM   #501 (permalink)
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how come I don't get more feedback bitch
You don't whine enough.
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Old 01-24-2018, 06:10 PM   #502 (permalink)
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I don't need you or this town
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Hmm, what's this in my pocket?

*epic guitar solo blasts into my face*

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Old 01-24-2018, 06:12 PM   #503 (permalink)
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This town doesn't need you.
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Old 01-24-2018, 06:14 PM   #504 (permalink)
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really though I just wanna know if it's good enough to keep going. strong suits and whatnot

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this is the introduction of frownland's character into my novel

"I'm just trying to heat up the zone, man." Z says to Hoyt. "Why do you have to be such a lint?" All four of the men's eyes are fixed upon the artist, their ears caught adrift in his guitar molestation. He plays a classical style acoustic with all steel strings and considerable action up the neck, which he utilizes to unleash stupendous harmonics. He has a face that defies legitimate description, as the things one would say about it would only offer the foggiest of foggies. Not even fog, just a plain white wall. His face somehow carries the absurd and out of nowhere notion of being on backwards, like an inward turned mask that sees through your eyes rather than you through its. There has not yet been established a proper name for the style of facial hair crawling from the Artist's chin, very wolfman-esque. The strands seem to climb upward like vines. Though obviously of the same ilk, saying his beard and mustache are the same entity would be trite. More like cousins, perhaps. The hair dwindles away further up his face, as if afraid t tread the disheartening scalp looming above like a haunted wasteland. His t-shirt is black enough to be a spatial void and his jeans are as blue as a pair of blue jeans, as if blue jeans could ever look like anything but.

"What zone?" Hoyt asks. "I'm the only one that comes in here."

"Well that's why this ingenious live music idea. It should entice." Z retorts from behind the bar, drinking on the job like you're not supposed to do.

"I don't think stuff will draw the kinda crowd we want." The Artist's playing is either inept or masterfully ept. The plinks and tings and shcrrzhs percolate from the guitar to dance about the air like an ethereal ballroom. Closer to music than a departing train but further than Bach or Beethoven or Bono, it is as abstract and improbable as the Artist's face.

"It's progressive." Z says. The Artist does not seem bothered by his peers' rude whispering as he apparently finishes his audition. The ensuing silence would exceed a reasonable conversational pause. "That was something else, man." The Artist is silent and does not blink.

"What's with it?" Hoyt interjects. Still no acknowledgement, and he turns to the barkeep. "Is he aw whack job?"

"Well I hope so."

"Why mute?"

"Aerosmith said to let the music do the talkin, you know. Not that anyone should live their life according to Aerosmith."

"Well we can't have him if he doesn't talk."

"And why is that?" Z counters, to which Hoyt hasn't a true answer. "He knows what it's all about. He iswhat it's all about." Hoyt's three double shots of bourbon are conversing like schoolyard friends in the playground of his stomach. The Artist had been sitting in a bar stool in front of the two gents, but after finishing with his performance, seemingly satisfied, he would reach into his guitar case and extract a portfolio so portfolio-ish it ought to be the archetype for all portfolios. He approaches the bar to hand to Z, who would open it immediately.

"What is..." Hoyt begins, but in that instant of folder opening the Artist would disappear.

"This is a reputable assessment." Z says, though the folder contains no words or numbers or recognizable symbols. Rather all of it is just distressing swirling and sentient geometry. The ripples of color seem almost in motion against the black painted sheets. Z reaches out his hand with irrational caution, a piece of paper is almost never lethal. But as his fingertips come in contact with a cold, murky gel, he would lose at least four of his marble. "Maybe you're right, Hoyt. He could be a safety concern. We probably shouldn't have any practitioners of the dark arts serenading us. Bad for business. Where'd he go anyway?"

"I don't know." Hoyt slurs theatrically, as if accosted by the feds. Z lets his gaze trickle back upon the contents of the offensively bland and contrasting folder, still vortexian and odd, at least this top sheet.

"I dunno why he even brought this in. We didn't ask for any mystical resumes."

"It's like a fresh painting... That's live." Hoyt remarks, trying to mask the alcohol's impairment beneath this admittedly apt simile. At this point, as if for some reason the idea only surfaced this instant, Z takes the top most sheet between his fingers to peruse the other chapters of the folder. He tries to, at least. Further celebrating the fresh painting comparison, the sheet is in fact drenched in an impossibly dry wetness and incredibly limp upon lifting, like it'd been floating in a puddle. The segment pinched by Z/s fingers tears off with no resistance and he decides to be more careful.

"You should be more careful." Hoyt pipes.

"Thanks, doc." Z squeezes several more sheets to more firmly lift. Four, five, perhaps eighteen, and a shrill tone chimes from the pages as they are peeled apart, similar to the catastrophic string scraping suite of the Artist's performance. Similar as identical. The very same cacophony that had been expelled from the Artist's bloody murder screeching guitar is now reacquainting itself with the two men, much to their suppressed horror. This paper-like medium (surely it can't be paper, can it?) almost seems to be like some otherworldly sound capturing material. Or perhaps not otherworldly, after all, how do records work? Black magic, as far as anyone in the bar is concerned. The Artist's mad litany is somehow housed within these eldritch, swampy pages. Maybe it's his sheet music

The other pages observed, including the backside of the bottom sheet in Z's grasp, are equally dark and sludgy and unnerving, only accented by the repeated section of disembodied aria still devastating the very particles comprising the room's atmosphere. Black fluid-like material would appear to be running from the page Z holds, yet no liquid drips from its edges, giving its surface the visual quality of staring into the night sky whilst wrapped in a hazy nutmeg induced delirium. Such ocular nuances are subtle at first, the sudden ripple like a wave or insectoid shooting star, no outright lysergic fractalization, but grow more pronounced and comprehensible the deeper your gaze, until strange wiggly men form and prance unfathomably about the emptiness, stacking milk crates and conducting orchestras and directing horse drawn carriages, or any such banal activities that now seem so peculiar to you when carried out by nothing.

Z warily pinches another cluster of sheets to explore, his actions now driven by grim curiosity after logic, reason, and concern for safety have all headed for the hills. A horrible and dissonant tremolo like a swarm of locusts now blasts from the folder, a movement Z remembers the Artist delivering with particular enthusiasm. Z and Hoyt now both begin to tremble, as if their fear wasn't already insurmountable, at the new sheet atop the stack. They share no words or gaze, but a single thought balances like a circus performer upon the telepathic tight rope: Is that what I think it is?. They simultaneously ask and answer each other's mental query. The churning ooze dousing the page would slowly morph into a foggy, barely visible scene that would manage to further the men's apparently infinite bewilderment and, more noticeably, their sheer, primal terror. "Barely visible" might not be a discretion to do justice to the ineffable display. In fact the page would appear more like some far off channel that is somehow forcing itself through the static of a disconnected television, the black and white fuzz attempting to shape itself, however inadequately, into the broadcast. All in all the scene is perceived by the men like the fleeting, tail end of a dream as their true vision comes to a wake. The instance where elements both phantasmagoric and real blend together confusedly, when the dream has faded into an echo bouncing off the solid walls of your room and turning the morning light through your window into a perplexing rainbow.

After a moment of unblinking focus, the associates could make out the outside of the station, the boarding dock directly out the door of the bar, cast in frightful noir, while slowly but surely the bar separates from the rest of the building it's connected to, the benches and potted trees and tracks blurring away as well, until Z's establishment is but a single cube suspended in void.

"So we're tossing it, yeah?" Z cannot hide the quake in his voice.

"Toss it?" Hoyt cries in response, no less girlish. "I think we have to drive a stake through it." Z studies his customer for a quick second as if considering it to be a sensible plan. Then he nabs the bottle of vodka he'd already been immorally siphoning, takes a fierce gulp like an overworked athlete, and with the rest drenches the Artist's horrid portfolio, which by now had been shut to silence its squalor. He goes outside, Hoyt follows curiously, and tosses on the gravel in the track bed, then lights it with a match from his pants pocket. By now the two men might have expected some kind of rank death knell from the burning blasphemy before them, but it simply crackles and fizzes like anything else. After the source of their horror is reduced to ashes, Z takes a breath for no reason other than to breathe purposefully, and turns to Hoyt.

"Let's just go buy a jukebox."
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Hmm, what's this in my pocket?

*epic guitar solo blasts into my face*

DAMN IT MONDO
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Old 01-24-2018, 06:20 PM   #505 (permalink)
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OK I'll give it a full shot in about say two hours. I'll be done settling Karen by then. What did you think of my Once Upon a Crime thing?
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Old 01-24-2018, 06:23 PM   #506 (permalink)
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the atmosphere reminds me of lamp lit twilight
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Hmm, what's this in my pocket?

*epic guitar solo blasts into my face*

DAMN IT MONDO
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Old 01-24-2018, 06:24 PM   #507 (permalink)
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@Mondo

It's the strongest writing that I've seen from you to date. Your imagery especially is vivid and doesn't feel arbitrarily slapped on. Your increased reading is showing I think.
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Old 01-24-2018, 08:32 PM   #508 (permalink)
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the atmosphere reminds me of lamp lit twilight
I don't know what that is, but I hope it's a compliment.

As for your piece: yeah like wow. It's so incredibly descriptive, really well written and deep. Some of the imagery is amazing: that bit about the hair being reluctant to climb to his forehead, the description of the pages of music, really excellent stuff. Very intense.

One slight niggle: sometimes you're using "would" and it's confusing as otherwise your tenses seem to have been sorted out. Other than that, really great writing, man. I agree with Frown: definitely your best yet. It's actually compelling, where some of your other stuff was, to be honest, a little of a chore to get through.
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Old 01-25-2018, 04:19 PM   #509 (permalink)
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Default Manhattan Gothic, part two

Spoiler for Part 2:
“Yeah,” he said, disinterestedly. “I bet. All those centuries accumulating knowledge and wisdom, huh?”

He knew the routine: this guy must have read all his books (like millions of other people) - he was almost quoting dialogue from … from … fuck it, he couldn’t remember which one? November Twilight? Eyes of Fear? Maybe Symphony of Blood? Who cared? The point was that the guy’s case was collapsing in front of Stafford, who knew him now to be some nut, some fanatic who was acting out the role of one of the characters of the Gray Hunter series, perhaps even Erasmus himself. It was just too coincidental.

The vampire seemed to consider, a frown crossing his gaunt face. It looked like it belonged there.

“Wisdom?” he repeated, and shook his head doubtfully. “I know nothing of that, mortal. But knowledge? Ah!” His eyes flashed like twin fires, causing Stafford, despite himself and his resolution not to be cowed by this impostor, to take a step back again.

“The things I have seen, Mister Stafford! The people I have met, the minds I have communed with, the company I have kept. Truly, if knowledge is power, as they say, then I must be considered mighty indeed!”

After an awkward silence, Stafford grunted a noncommittal “Yeah” and then jerked his head backwards towards the low table that stood off to one side of his living room. Time to put his plan into action, be the hero of his own novel. “So I guess you how to play chess, then?”

The vampire snorted, but his eyes lit in a way that showed Stafford he had his attention. “Know how to play it?” he scoffed. “It was I who invented it!”

Under his breath, the author swore quietly. One lie too many, pal. One lie too many. But aloud he said “Well I’m not too bad at it myself. Tell you what: they say chess is the ultimate test of intelligence (he didn’t know if they actually said that or not, but gambled this so-called vampire wouldn’t challenge the quote, which he may have made up): you fancy testing your superior intelligence against me, Mister Vampire?” He deliberately failed to keep the contempt out of his voice, knowing it would needle his visitor.

The vampire seemed to consider this, looking across at the table, back to the door and then to Stafford. Eventually he said “Such a match seems hardly fair, mortal. I have won before even accepting the challenge.”

Arrogant fucker! thought Stafford, though again he kept his face carefully neutral, and like anyone else in his position, used bargain-basement reverse psychology, and thought himself clever in doing so.

“Well, of course, I understand if you’re afraid…”

Which was how he now came to be facing the vampire across the battlefield of the chessboard, two generals desperately vying for control, playing stratagems, sacrificing pieces and trying each to make the all-important breakthrough. Stafford had not been lying when he had claimed to know how to play: he had been county champion six times, state champ four, and only missed out on being crowned national champion due to suddenly falling ill and having to withdraw and forfeit at the last moment, a blot on his record that still darkened his mind today, even though that had been long in the past, before he had found fame as a horror writer. But some wounds just don’t heal, and some clouds, though they may have seemed to move away, are always hovering nearby.

Hovering like the vampire over him right now, he remarked sourly to himself, crowing internally over his impending triumph, no doubt. The line of white pieces ranged to the right of his opponent was significantly longer than his small gathering, and there were more important ones that he had surrendered to the vampire: two rooks, a knight, two bishops. Hard to defend your king with such a reduced army. Whoever he was, this guy certainly knew how to play.

Playing for time as he considered his move, he reached into his desk drawer and removed a flat packet, thumbing it open and popping a cigarette into his mouth. He thought better when he smoked. As he flicked his lighter to the tip of the cigarette and leaned back, expelling a thick cloud of grey smoke from his mouth, the vampire seemed to grimace, an expression he had not seen before on that impassive, almost carven face, and he waved his hand irritably at the smoke.

“Disgusting habit!” he growled. “Can’t you take that outside?”

Shrugging, Stafford unfolded his long legs from under the desk and stretched them. As he approached the door he had half a mind to leg it down the street, but reasoned that he would probably be playing right into this weirdo’s hands. He could just see tomorrow’s headline: Famous Author Spooked by Intruder, Runs Away. Yeah, that would play really well with his fanbase, wouldn’t it? And he just getting back into their good books, no pun intended, after that fiasco with the actor. No, whatever the end game was here, he had to remain to see it through. Besides, the guy had had plenty of opportunities to kill him if he wanted to. He was curious as to what the so-called vampire wanted, he had to admit.

Let’s see how this plays out.

The sudden shock of cold air that assaulted his face when he opened the door reminded him that it was November, and late; how late, for some reason, he couldn’t remember, but it was dark. The smoke from his cigarette blew into his face, and he coughed, turning slightly so as to aim it away from him. Odd, he found himself thinking, how smokers will willingly draw in smoke to their lungs, but dislike it coming back into their face.

A thick fog had descended, obscuring most of the road and much of the street which ran parallel to his house. The distant sounds of traffic passing through and over the island drifted back to his ears, making him feel strangely alone, as if these sounds came from another place, a place he could not go, somewhere completely separate to where he was.

Another world.

Lounging against the frame of the doorway, he took the opportunity to scan the road, but of the few lights that emerged out of the gloom, none were blue and none were flashing. Four cars, one a taxi, and a heavy rig passed him by, and still no sign of the cops. Could the intruder, this vampire, have disabled his alarm, he wondered, a slight note of panic rising into his breast.

Footsteps sounded in the dark, and checking behind to see if his unwelcome guest was watching him - he wasn’t; he was back in the living room and the door connecting that to the main hall was closed - he walked out into the street, just in time to encounter a young man who emerged out of the mist, his head down, muffled against the cold. Stafford waved at him.

“Hey buddy! You seen a cop car heading this way?”

The man kept his head down, did not answer. He gave no indication of having seen the questioner, and Stafford became aware of the guy’s headphones, large ones that covered the ear completely, and realised why he had not been heard. Carefully, he stepped in front of the guy and waved his arms. When that didn't work, he lifted one of the cups, repeated the question. But though the man could surely now hear him - might even react with annoyance at being interrupted in his listening, but at least should react - he did not answer. He did not even look at Stafford. Or, to be more accurate, seemed to look through him.

As if he wasn’t there.

“Hey!” Deciding that even the risk of getting into a fight with the guy was better than being ignored, he unceremoniously slapped the headphones off the man’s head. The guy stopped, looked bewildered, took a look up and down the street, frowned and then bent to pick up the fallen headphones, from which a tinny noise issued. Replacing the phones carefully on his head, and again looking around with a confused look, the man resumed his walk, occasionally sneaking a look behind him, as if he feared he was being followed. The fog soon swallowed him up, and Stafford was alone again.

He stood in the middle of the street, his arms at his side, his palms up. “What the hell?” he raged. “You ignorant fuck! I just wanted to ask - Excuse me? Miss?” He changed tack and dropped the anger out of his voice immediately as he noticed a young girl coming along the street, her figure detaching itself from the fog as if she had just materialised in front of him.

“Miss? Sorry, I just wanted to ask - no, don’t be scared,” he assured her, as she continued to walk, head down, looking at the screen of her mobile phone as if its pale ghostly light was all she had to rely on to provide her illumination, which, the streetlights near his home being mostly vandalised, it more or less was. She ignored him, but to be honest that wasn’t too surprising. Any woman walking in fog was unlikely to pay attention to a man who called to her, a man she didn’t know, didn’t want to know. He sighed as the fog again enveloped her.

“Bitch,” he couldn’t help muttering under his breath, then “Oh, sorry guys, did you happen to see -?” But the crowd of youths, four of them, and somewhat the worse for wear, pushed past him without even sparing him a glance. For a moment, he worried for the girl on her own only a few paces ahead of them, then a savage grin spread over his features, and he almost hoped they caught up with her. Serve the little high and mighty slut right. He was standing watching the gang vanish into the thick fog bank, the thought of what they might do to that young woman almost cheering him, when something bumped into him.
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Old 01-25-2018, 05:18 PM   #510 (permalink)
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this is obviously highly out of context but I just wanna see how the imagery/description is here too in this short cut. How is it?

What happened might be closer to sublimation.

Within an austere haze of unevenly lit fog appears the forms of two men sitting side by side as if behind a wide desk, but I couldn't make out any such thing. Mr. Z from Earth HQ is a bit jerked back and to the left, while directly in front of me is a much more complex profile, literally and mathematically speaking. A man-like object constructed of brilliantly defined, interwoven shapes. A man made of geometry. It is as if his entire head is a split geode, giving sight to the uncannily precise vein of shimmering, crystallized likeness that is his face. I am looking eye to eye with a breathing tessellation.

"Five." There is a metallic voice projected suddenly into being. The Crystal Man glows more vibrant and his color seems to pulsate like a phosphorescent heart beat, though I can't make out any true movements. This is actually the first time I've been addressed by my number. "Fun, isn't it?" All the menace is lifted from his voice.

"Sure." I say.

"Woah, calm down Mr. Excitement." Is there anything to say to that? "Well, as you've surely been informed, you must pass our medical analysis to determine if you're fit for the training and its bringings. The work we conduct is grueling mentally, not so much physically. We gauge a would be citizen's mental capacity during this assessment, to make sure they have the correct chemistry to experience the work and its spiritual labor. We need a special type of mind, suited for our organization." The Crystal Man pauses and Mr. Z nods neutrally, then the former begins a questionnaire. "Have you ever felt you weren't made for this world?"

"Who hasn't?" I answerask.

"Do you believe you are being denied what it is you believe you deserve?"

"Not really."

"Have you ever seen something that wasn't there?"

"How should I know?" He leans back to Mr. Z and whispers. "Er, how should he know?" Mr. Z shrugs incompetently, the Crystal Man returns to me. "How about dematerializing or materializing in front of your eyes?"

"No."

"Movements, perhaps unseen forces?"

"No."

"Do you believe in unseen forces?"

"I dunno, never seen any unseen forces, personally."

"Have you ever heard disembodied voices?"

"No."

"What is the name of your home planet?"

"Earth."

"Have you ever encountered any variety of demon?"

"I don't think so."

"Any at all? Elemental demons? Satanic demons? Satan? Have you ever encountered the dark lord Lucifer himself?"

"I don't think so."

"How many planets have you visited?"

"Visited? None."

"How many people are talking to you at this very moment?"

"One."

"Do you accept what you see as reality? Right now?"

"Of course."

"What might change your mind?"

"I dunno. Waking up and realizing it was a dream, I guess." After those words quietly died like a fox in the woods, my vision began to play tricks. All the tiny and perfect shards of the Crystal Man's face disassemble to hang cozily in space, all the while glistening madly with hues of unrealistic abundance.

"Do you accept what you see, now, as reality?" A multitude of identical voices ring from each individual sliver of crystallized face. They echo, reverberate, phase, flange, pitch-shift, stretch, compress and amplify all at once like the words are being processed and modulated through a synthesizer. Moog. Mr. Z's transformation is less remarkable in a relative sense albeit infinitely fantastic just as well. Straight, vertical lines bisect and trisect and so on to leave a heavy plethora of thin slices unattached to each other, managing to make a man look like a bar code. He remained silent and neutral during his shredding.

"I... Guess?" However the animation in front of me is so unreal that I feel perhaps like I'm subconsciously lying. Trying to assure myself of things I hadn't been able to assure myself of so I'm not sure at what this assurance is directed. Surely. Am I too fractalizing like the gents before me? What elements on the periodic table comprise these men? During the whole process there had been a steady hiss like gas from an unlit stove and an odor of melting minerals.

Now the airborne components of what was once one and a half plainly recognizable human beings, spread out before me like globular star clusters such as Mayall - themselves freckled upon a colorfully celestial backdrop of gaseous clouds more akin to the Cygnus Loop - begin to conglomerate two new men I've never seen before, I think.

"Interesting, yes?" The usurper of the Crystal Man's spaceface is replaced with a lenticular galaxy rather than a geode. The new occupant of Mr. Z's spot is not Mr. Z and that's about all you could say of him. Apparently that position required a great blandness. "What do you think happened here?" He says.

"I really don't know." I really don't.

"Does that make you feel discontent?" Galaxy Man asks.

"Not exactly." My words travel the dark zone, reaching no ears or minds but my own. I'm not alone, however. At least I don't consider that to be an appropriate descriptor. As for this moment there is nothing else in existence to accompany me at all.

I wouldn't last long either.
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Hmm, what's this in my pocket?

*epic guitar solo blasts into my face*

DAMN IT MONDO
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