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#1 (permalink) |
Ask me how!
Join Date: Oct 2014
Location: The States
Posts: 5,354
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I learned it from you, dad
I LEARNED IT FROM YOOOOUUUU
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---------------------- |---Mic's Albums---| ---------------------- ----------------------------- |---Deafbox Industries---| ----------------------------- ![]() |
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#2 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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#3 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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quoniam facta sum vilis
Album by Brandon Lopez https://astrallopez.bandcamp.com/alb...acta-sum-vilis Bad ass Brooklyn New Wave of Free Jazz Renaissance Solo bass - And I’m gonna say this —solo bass and solo percussion is always so ****ing liberated. This is a fantastic exploration to the outer limits of his instrument 5/5 without question
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#4 (permalink) | |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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![]() ![]() farida amadou Quote:
![]() Oh my ****ing gawd!!! QUAM! by Farida Amadou / Timothée Quost / Tom Malmendier https://rawtonkrecords.bandcamp.com/album/quam If a bong learned to play bass inside of god’s vagina 5/5 perfect in every way
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#6 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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I don’t know if I’ve ever seen one not attached to a drum.
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#7 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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![]() ![]() LEBROBA ANDREW CYRILLE, WADADA LEO SMITH, BILL FRISELL Toward the modal spectrum. All-star cast. To put it in context this is on par with Miles’ Jack Johnson. 5/5 ****ing insane unbelievable year
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#8 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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![]() Gunhild Seim/Marilyn Crispell/David Rothenberg - Grenseland Why are the greatest records of 2018 free jazz? Because that’s what all the best musicians are playing. When it rains it pours. Another 5/5 masterpiece.
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#10 (permalink) | |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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![]() Quote:
But I don’t have this new stuff stored away and catagorized in my memory like I pretty much really do with jazz from the 40’s to the 70’s. Like Andrew Cyrille (two up) played on Afternoon of a Georgia Faun and Unit Structures so my listening is already well-informed. Marilyn Crispell may not have all that on her resume but she’s still a powerhouse name. At the end of the year I’ll tuck it all away on a playlist and some of my initial enthusiasm for some records will fade and some will grow. I think the few people who follow my journals know that I tend to present my knowledge as more authoritative than it really is. That said, I haven’t turned my TV on for months and I listen to music A LOT. I divide my time at work between being a prep cook and a line cook. When I do prep I can listen to headphones. That’s more than half my workday. Then when I get home I listen to music pretty much all day. I listen to at least two jazz records everyday and I always make an effort to consider the lineage of the music. Who has played on what records and what style they’re working in (who are their influences). But it’s not like I could just rattle all this **** off the top of my head. I need the reminders that magically appear on my phone. Thank you for being supportive
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