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09-24-2020, 01:53 AM | #531 (permalink) | |
one-balled nipple jockey
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On that A Love Supreme Live I mentioned earlier Tyner kind of reminds me of something like that the way he keeps playing block chords and the get more and more dissonant and then when he finally swings it’s so non-modal it almost feels rebellious like he’s playing for the Hot Fives or Sevens. Actually, Sun Ra makes abrupt transitions like that. I wanted to fit in a few more records before midnight but I fell asleep. I was planning on Live in Seattle, African Brass, Crescent, and with Monk at Carnegie Hall.
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09-24-2020, 09:20 AM | #532 (permalink) |
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They're much more powerful and rough hewn on the live "A Love Supreme" while still preserving that sacred melody. Love McCoy playing with his building blocks to dissonance in the second movement.
I had way too much caffeine yesterday, but at least it kept me up for the birthday party. |
09-24-2020, 10:21 AM | #533 (permalink) | ||
the bantering battleaxe
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^I really loved this, probably even more than the studio version
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09-25-2020, 12:10 PM | #535 (permalink) |
one-balled nipple jockey
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I wrote a long reply to this but deleted it. If you’re only going to return to one of the other very rarely I recommend you invest in the classic studio release more often. It’s all sacred though
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09-25-2020, 12:42 PM | #536 (permalink) | ||
the bantering battleaxe
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Why did you delete it, I'm not scared of long replies
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09-25-2020, 01:41 PM | #537 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
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idk i guess I was finding it hard to make the points I wanted to make without sounding like I questioning the timelessness of the live version
in a nutshell the drums sound much better on the studio record and that’s really important and two Coltrane’s vision is strictly adhered to on the studio version and it’s designed for posterity and the live version caters to people who paid to see the greatest quartet of all time Like Tyner wasn’t just Coltrane’s soldier he was the greatest pianist to ever live. Same with Elvin and the drums. I’m not going to say Jimmy Garrison is the greatest bassist ever but that solo on the live version -good god- but the theme on the studio version- that’s for us forever - the stars are beautiful but the rivers are streams are for us
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09-25-2020, 02:43 PM | #538 (permalink) | ||
the bantering battleaxe
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thanks, that's interesting
I'll see if I can hear what you're saying here next time I listen to it
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09-25-2020, 04:41 PM | #539 (permalink) | |
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Marie, I also love the live Antibes recording because it's raw and free - but I really can't choose between the studio and live. It's like choosing between children. |
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09-25-2020, 06:01 PM | #540 (permalink) | |
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