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01-15-2020, 12:25 PM | #382 (permalink) |
one-balled nipple jockey
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Does ECM need to apologize for putting out tons of high quality records now?
I think I know what you mean that the sound can be a little safe a even generic but the consistency and quality control is fatanstic.
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01-15-2020, 12:44 PM | #383 (permalink) |
All day jazz and biscuits
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I'm right there with you. I will say however that some artists fall into the line of "all this sh*t sounds the same" but ECM is a great label that can produce some absolutely outstanding pieces of music from some of the greatest artists in Jazz. It's just that sometimes they don't too.
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01-15-2020, 12:48 PM | #384 (permalink) |
SOPHIE FOREVER
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Looking at you, Bill Frisell.
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01-15-2020, 01:58 PM | #386 (permalink) | |
one-balled nipple jockey
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This is a post from a while back:
Quote:
In fact if you look at his discography there’s not much ECM at all
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01-15-2020, 02:13 PM | #387 (permalink) |
SOPHIE FOREVER
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They were a big part in his rise in the jazz world and his ECM records aren't free from his typical pitfalls either.
He ain't entirely bad when he's not in charge of the direction, see: Masada Guitars and Naked City. Idk, any I'm missing out on? I gave up exploring his discography after being burned too many times.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
01-15-2020, 02:50 PM | #389 (permalink) |
SOPHIE FOREVER
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Just listened to the opener. Joe Satriani goes to art school, and I mean that in the most insulting way possible.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
01-15-2020, 03:03 PM | #390 (permalink) |
one-balled nipple jockey
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That’s a lot of music to consider but I like that stuff when I listen to it.
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