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#52 (permalink) | |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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#53 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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It feels like Christmas Eve.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#54 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#55 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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Bowed bass solo from Jimmy Garrison "Untitled Original 11383" (Take 1)
Nature Boy is a standard https://en.m.wikipedia.org/wiki/Nature_Boy "Untitled Original 11386" (Take 1) - sound very much Africa Brass McCoy Tyner’s solo is especially “swingy” not sure if Coltrane would have released it at the time - when Coltrane comes out of it - it’s a lot like when he breaks from solos My Favorite Things - Elvin Jones drum solo - very reserved - almost less showy than what he plays to keep the time - incredibly modest and tasteful "Vilia" (Take 3) yeah different direction- it’s a standard I guess sounds like they just put the music in front them and blasted it out / there’s absolutely no way Coltrane would have released this at 63 - he was on a totally different trajectory by then 4 takes of impressions - no comment Slow Blues - oh it’s so gorgeous my head is going to sink - his scale patterns slowed down - Elvin Jones keeping pace almost like he’s ignoring Coltrane - like he’s insisting on keeping it grounded McCoy Tyner like obviously blues - almost rock’n’roll Jones slips into double time for Tyner - ****ing good lord - I need to listen to the Lush Life version and this again and think about it (These stupid graphics on Spotify blah) One Up, One Down - I honestly don’t know what this offers compared to previously released versions. I mean literally- I need time to play them back to back So basically it’s two obviously significant unheard tracks and a to me startling and beautiful “Slow Blues” Straight off I’m going to say that this isn’t like a lost Classic Quartet album like they just found a copy of Crescent that nobody has ever heard - honestly I’m glad Two important new tracks is a lot I think they want to try to recreate the mystique of Thelonious Monk Quartet with John Coltrane at Carnegie Hall The Live at Temple release 4 years ago raged into my heart as an official member of the Coltranes. It’s late - I took an ambien before even putting it on This isn’t my official final say
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#56 (permalink) | ||
President spic
Join Date: May 2012
Location: Waxahatchee
Posts: 4,861
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This is a Christmas miracle.
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#57 (permalink) | ||
the bantering battleaxe
Join Date: Oct 2018
Location: Cute Post Malone's mom
Posts: 3,395
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I'm finally taking the A Love Supreme plunge. I'm new to jazz, if anyone has thoughts or favourite things to share about the album to accompany the listening that would be cool
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#59 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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This has some good historical and music theoretical background in layman's terms. https://www.npr.org/2000/10/23/148148986/a-love-supreme
It might be too intense for someone not too deep into jazz, but I'd recommend checking out Sun Ship next. Banworthy tbf
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#60 (permalink) | ||
the bantering battleaxe
Join Date: Oct 2018
Location: Cute Post Malone's mom
Posts: 3,395
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^thanks, that's very interesting.
I think it's very beautiful so far. A lot of new things to process, but that's exiting.
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