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Old 12-19-2010, 04:51 AM   #1 (permalink)
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Originally Posted by fidelityfiend View Post
When you master a craft as he did you don't have to be innovative. SRV is one of the top ten guitarists ever bar none. Not just blues guitar - he was a giant - all the greats (Clapton, Page, Beck (Jeff Beck), Blackmore, B.B. King etc etc have all stated that he was one of the best ever.

IMHO innovative guitarists are few and far between. The dude from RATM was probably the most recent groundbreaker - Eddie VH before that. $0.02

I agree with this guy here as far as the innovators go. I'm not even a big fan of RATM, but when I saw that guy on TV (I think it was the RNR Hall of Fame Concert), I almost licked the TV. I feel terrible for overlooking that one.

I must also say this... so many people claim Jimi Hendrix is one of the best because he was "innovative," but I don't understand why they say that. Sure, he lit his guitars on fire and played with his teeth once in a while, but how was that innovative?
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Old 12-19-2010, 10:43 AM   #2 (permalink)
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I must also say this... so many people claim Jimi Hendrix is one of the best because he was "innovative," but I don't understand why they say that. Sure, he lit his guitars on fire and played with his teeth once in a while, but how was that innovative?
You're joking, right? I take it you don't play guitar. He did so much for guitarists, even outside of that ****. He did as much for music as showmanship. He popularized wah-wah pedals, and pedals in general. Do you have any clue how significant that is? EVERY guitarist uses pedals now. Also, he started Phycedelic rock in a sense. It existed before him, but he really made the genre what it is- pure sounds of LSD.

He would take so much time trying to get amazing sounds out of his guitar, using multiple pedals, reversing it, and everything else he could. His early bandmates thought he was hearing things. They couldn't hear he was dojng something different, they heard insanity, because in those days, Elvis was considered crazy and uncomprehensible. It's just so clear now, though, how amazing his guitar tones were. Before him, no one cared about "guitar tone" really, or no one would have gone to lengths like that. Those long, drawn out phycedelic outros on the longer songs on Electric Ladyland? It was done once or twice before, but he was one of the true pioneers. A song ended where a song would end before him. Having sound transfered from one speaker to the next, in a gradual process (well, not exactley gradual, but non-instant)? I forget the name of the technique, but he was one of the first to do that, too. And he just improvised when he was playing live (most of the time). No one jammed as much as he did. In his early days, producers would get really, really mad at him for that. I remember reading, in his Nashville days, one producer faded his part whenever he refused to simply play eighth-notes on a basic chord progression.

Just listen to Are You Experienced and Electric Ladyland. You can hear that he was the first to do this stuff, even if it's commonplace not, because that passion for exploration just pours out, and it just has that "original" quality. :| (and on that note: MB needs an "indifferent" smiley)
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Old 12-21-2010, 05:01 AM   #3 (permalink)
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Well said about Jimi ^

Some of my favorites of SRV's are his staples. Nothing really gets you like Lenny. The emotion in the first 45 seconds should have you hooked. Tin Pan Alley is fantastic, too. But I really like throwing on a track like Dirty Pool. I always go back to Dirty Pool. I listen to it more than I do Texas Flood. Great album...
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Old 01-04-2011, 02:44 PM   #4 (permalink)
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Originally Posted by The Bullet View Post
You're joking, right? I take it you don't play guitar. He did so much for guitarists, even outside of that ****. He did as much for music as showmanship. He popularized wah-wah pedals, and pedals in general. Do you have any clue how significant that is? EVERY guitarist uses pedals now. Also, he started Phycedelic rock in a sense. It existed before him, but he really made the genre what it is- pure sounds of LSD.

He would take so much time trying to get amazing sounds out of his guitar, using multiple pedals, reversing it, and everything else he could. His early bandmates thought he was hearing things. They couldn't hear he was dojng something different, they heard insanity, because in those days, Elvis was considered crazy and uncomprehensible. It's just so clear now, though, how amazing his guitar tones were. Before him, no one cared about "guitar tone" really, or no one would have gone to lengths like that. Those long, drawn out phycedelic outros on the longer songs on Electric Ladyland? It was done once or twice before, but he was one of the true pioneers. A song ended where a song would end before him. Having sound transfered from one speaker to the next, in a gradual process (well, not exactley gradual, but non-instant)? I forget the name of the technique, but he was one of the first to do that, too. And he just improvised when he was playing live (most of the time). No one jammed as much as he did. In his early days, producers would get really, really mad at him for that. I remember reading, in his Nashville days, one producer faded his part whenever he refused to simply play eighth-notes on a basic chord progression.

Just listen to Are You Experienced and Electric Ladyland. You can hear that he was the first to do this stuff, even if it's commonplace not, because that passion for exploration just pours out, and it just has that "original" quality. :| (and on that note: MB needs an "indifferent" smiley)
Well said my friend
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