Review - Editors - Roundhouse 18/3/14

countingcrowabc · 03-19-2014, 09:37 AM

Via The Ticket Village

Editors - London Roundhouse - 18th March 2014

Depth, Substance and a fitting end to their European Tour, says Chris Harding.

It might not be their most popular or successful record to date but with the release of The Weight of Your Love Editors reached that back-to-basics phase that every big band goes through at some point in their career.

The dark and dry Sugar opens the concert, with the front row covered with flags of fans coming from all over Europe for the final leg of their worldwide tour. What an appropriate venue to bring it to an end: essential but sophisticated, the Roundhouse represents where the Birmingham rockers are right now.

Someone said that Editors lost it a bit with In This Light and on This Evening– a club the author of this article is proudly not part of – and the setlist tonight suffers from that critique. Halfway through set and there have been moments of pure excitement with Munich and The Racing Rats, but what happened to those marvellous sounds that Flood (producer) brought to a band who risked to become the copy of themselves?

It’s undeniable the quality of Eat Raw Meat = Blood Drool, Bricks and Mortar and In This Light and on This Evening once they finally get to be played. Equally undeniable are the consequences of losing genius guitarist and synth player Chris Urbanowicz – but that’s something fans are beginning to digest.

The amazing All Sparks and Bones set the bar pretty high, but some of the recent songs don’t disappoint when played in between those classics.
A Ton of Love is the mother of all rock songs and hardly anyone resists from singing along “desire, desire”. That’s a hell of single. Same goes with Nothing, which is amusing on record with heartfelt strings but becomes huge on stage when played by the full band. Do they regret the maybe-too-mellow studio version? Judging by the way they bounce, fans seem to. And by the inspired look of Tom Smith as he sings “I’ve got nothing left”, bent on the top of his piano, maybe he does too.
Editors are a band standing on their own two feet, firmly on the ground: they have hits, classics, romantic dark moments and more experimental tracks.

Their show is solid and it leaves you with something many acts are still trying to achieve: that feeling of depth and substance, heightening your awareness that what you are experiencing is authentically good.

Pumpkin89 · 03-27-2014, 06:17 AM

I've seen them a couple of times and they never disappoint. The most recent was back in November last year in Leeds and I think they were even better than the first time I saw them. Opening with Sugar definitely set the bar high for the rest of the show and it was one of the best gigs I've been to in ages

03-19-2014, 09:37 AM	#1 (permalink)
countingcrowabc Groupie Join Date: Feb 2014 Posts: 1	Review - Editors - Roundhouse 18/3/14 Via The Ticket Village Editors - London Roundhouse - 18th March 2014 Depth, Substance and a fitting end to their European Tour, says Chris Harding. It might not be their most popular or successful record to date but with the release of The Weight of Your Love Editors reached that back-to-basics phase that every big band goes through at some point in their career. The dark and dry Sugar opens the concert, with the front row covered with flags of fans coming from all over Europe for the final leg of their worldwide tour. What an appropriate venue to bring it to an end: essential but sophisticated, the Roundhouse represents where the Birmingham rockers are right now. Someone said that Editors lost it a bit with In This Light and on This Evening– a club the author of this article is proudly not part of – and the setlist tonight suffers from that critique. Halfway through set and there have been moments of pure excitement with Munich and The Racing Rats, but what happened to those marvellous sounds that Flood (producer) brought to a band who risked to become the copy of themselves? It’s undeniable the quality of Eat Raw Meat = Blood Drool, Bricks and Mortar and In This Light and on This Evening once they finally get to be played. Equally undeniable are the consequences of losing genius guitarist and synth player Chris Urbanowicz – but that’s something fans are beginning to digest. The amazing All Sparks and Bones set the bar pretty high, but some of the recent songs don’t disappoint when played in between those classics. A Ton of Love is the mother of all rock songs and hardly anyone resists from singing along “desire, desire”. That’s a hell of single. Same goes with Nothing, which is amusing on record with heartfelt strings but becomes huge on stage when played by the full band. Do they regret the maybe-too-mellow studio version? Judging by the way they bounce, fans seem to. And by the inspired look of Tom Smith as he sings “I’ve got nothing left”, bent on the top of his piano, maybe he does too. Editors are a band standing on their own two feet, firmly on the ground: they have hits, classics, romantic dark moments and more experimental tracks. Their show is solid and it leaves you with something many acts are still trying to achieve: that feeling of depth and substance, heightening your awareness that what you are experiencing is authentically good.

03-27-2014, 06:17 AM	#2 (permalink)
Pumpkin89 Groupie Join Date: Mar 2014 Posts: 5	I've seen them a couple of times and they never disappoint. The most recent was back in November last year in Leeds and I think they were even better than the first time I saw them. Opening with Sugar definitely set the bar high for the rest of the show and it was one of the best gigs I've been to in ages