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04-21-2011, 08:10 AM | #171 (permalink) | ||
Music Addict
Join Date: Mar 2011
Posts: 937
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Quote:
Quote:
Interesting that people talk about the overall sound. People nowadays do tend to just like a beautiful sound even if there isn't much beyond that. |
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04-21-2011, 04:17 PM | #172 (permalink) |
Music Addict
Join Date: Apr 2011
Location: San Diego
Posts: 57
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Oh come on. Prove that they aren't original instead (I like them, so I would love to hear similar music ). When I heard Cape Cod Kwass Kwassa for the first time, I hadn't heard anything like it before. It's not just the african influences it's something more... Something about the way the riff completely stops every two bars... I don't know. It was unique to me.
And I think they changed their sound in a big way from Vampire Weekend to Contra. On Vampire Weekend it all sounded... organic and perhaps even a bit archaic... And the fact that they seemingly saw African music as archaic is of course a bit problematic... But on Contra, the influences are much more from South Africa, and the sound is much more electronic, it sounds like they've heard a lot of Timbaland and Neptunes in places. I just don't understand people who say they didn't develop between albums.
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Agnes Varda's Le Bonheur + thoughts on women in Akhmatova and Mizuguchi: The Centrifugue |
04-21-2011, 08:30 PM | #173 (permalink) |
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Join Date: Apr 2011
Location: San Diego
Posts: 57
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I just finished writing about what there is to them 'beyond' there great sound. They are emblematic of our time, with their politics and aesthetics and what-not. Or something like that.
The Centrifugue: The 'Unformulable' on Vampire Weekends Contra (10)
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Agnes Varda's Le Bonheur + thoughts on women in Akhmatova and Mizuguchi: The Centrifugue |
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